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TFM 160 QUIZ -1 QUESTIONS AND ANSWERS

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TFM 160 QUIZ -1 QUESTIONS AND ANSWERS

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TFM 160
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TFM 160

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TFM 160 QUIZ #1 QUESTIONS AND ANSWERS

implicit v. explicit meaning (onions and ogres?) - Answers -implicit meaning = subtext,
meaning that lies underneath the surface, moral of the story

explicit meaning = obvious meaning, available on the surface of the movie

have layers just like onions and shrek lol

what is formal analysis and how does it differ from other types of analysis? - Answers -
Dissects the meaning of all elements and tools used by cinematic storytellers

Analytical approach mainly concerned w/ film as an art form

How do these elements weave together to communicate the meaning of a film?

Focuses on how a film uses cinematic language to convey meaning and tell a story

What are the defining characteristics that distinguish movies from other forms of art? -
Answers -The fact that movies move is the main differentiation between movies and
other forms of art

Constructed from individual shots (unbroken spans of action)

Shots can be edited together to control what the audience sees and how they see it

Movies can transport people through time and space

What do we mean when we describe cinematic language as "invisible"? What are some
of the reasons why cinematic language is invisible? - Answers -Cinematic language is
described as invisible because it connects the viewer to the story while simultaneously
concealing the means by which it does so

Techniques used in a movie that allow the audience to pick up meaning/messages
automatically without much thought

Ex: invisible cuts/editing, fade in/out represents time or setting change, low angle shots
portray power, etc.

What do we mean by cultural invisibility? How is this different from cinematic invisibility?
- Answers -Cultural invisibility is when a film favors stories and themes that reinforce
viewer's shared belief systems (main goal is to entertain, not provoke customers,
especially if you want to profit)

Reinforcing their audience's fundamental desires and beliefs

, Cinematic invisibility focuses more on form and cultural invisibility focuses more on
content

shot - Answers -unbroken span of action

cut - Answers -a direct change from one shot to another

editing - Answers -The process by which the editor combines and coordinates
individual shots into a cinematic whole

The joining together of discrete shots

close-up - Answers -A shot that often shows a part of the body filling the frame—
traditionally a face, but possibly a hand, eye, or mouth.

fade-out/fade-in - Answers -Transitional devices in which the first shot fades out
gradually to a black screen

The next shots fades in gradually, or becomes increasingly exposed

Usually used to convey the passage of time

Low angle shot - Answers -A shot that is made with the camera below the action and
that typically places the observer in a position of inferiority.

Cutting on action - Answers -A continuity editing technique that smoothes the transition
between shots portraying a single action from different camera angles

protagonist - Answers -the primary/main character whose pursuit of a goal provides the
main structural foundation to a movies story

motif - Answers -a recurring visual, sound, or narrative element that imparts meaning or
significance

theme - Answers -a shared, public idea such as a metaphor, myth, familiar conflict,
personality type, etc.

What is the difference between form and content? And why do works of art need both? -
Answers -form = the means by which a subject is expressed

content = the subject of an artwork

The two terms are often paired because works of art need them both. Content provides
something to express; form supplies the methods and techniques necessary to present
it to the audience.

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