M116 Study Questions and Correct Answers
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religion - rumba - son
influenced music through rituals, drumming patterns, chants, and spiritual beliefs.
rumba percussion-based Afro-Cuban music and dance tradition that grew from African cultural
practices in Cuban communities.
Son later developed by combining African rhythms and call-and-response singing with Spanish
instruments and melodies, becoming one of the most important Cuban musical styles.
santeria
a syncretic Afro-Caribbean religion originating in Cuba, blending West African Yoruba beliefs
with Roman Catholicism
orishas, e.g.
powerful divine spirits in the Yoruba religion, representing natural forces, ancestors, and facets
of the supreme deity.
Francisco Aguabella
He was an Afro-Cuban percussionist and master sacred drummer of the Santeria religion. He
continued to spread jazz and Latin music.
Sheila E
, The Queen of Percussion, left-handed, open-handed, and right-handed, playing style. Her
musical,roots are deep in Latin jazz and funk
Carlos Santana
Represents Latino spiritual rock fusion — combining Afro-Cuban rhythms, blues, jazz, and rock.
Santana symbolizes Chicano visibility in mainstream rock while maintaining Latin musical
roots.His group's performance at Woodstock (1969) demonstrated Afro-Cuban percussion with
rock elements.
A musician associated with incorporating Afro-Latin percussion, such as congas and bongos,
into popular music.
bungas
An Afro-Caribbean musical ensemble with African roots that influenced Latin and Chicano
music traditions.
tres
A Cuban guitar-like instrument used in son music
bongos
Two small drums are used in Son Conjunto ensemble music and Afro-Cuban percussion
conga drums (tumbadoras)
tall, single-headed Cuban drums
Drums used in Afro-Cuban music that play complex rhythmic patterns.
Sonora Matancera - Mala Pata
Guaranteed A+!
religion - rumba - son
influenced music through rituals, drumming patterns, chants, and spiritual beliefs.
rumba percussion-based Afro-Cuban music and dance tradition that grew from African cultural
practices in Cuban communities.
Son later developed by combining African rhythms and call-and-response singing with Spanish
instruments and melodies, becoming one of the most important Cuban musical styles.
santeria
a syncretic Afro-Caribbean religion originating in Cuba, blending West African Yoruba beliefs
with Roman Catholicism
orishas, e.g.
powerful divine spirits in the Yoruba religion, representing natural forces, ancestors, and facets
of the supreme deity.
Francisco Aguabella
He was an Afro-Cuban percussionist and master sacred drummer of the Santeria religion. He
continued to spread jazz and Latin music.
Sheila E
, The Queen of Percussion, left-handed, open-handed, and right-handed, playing style. Her
musical,roots are deep in Latin jazz and funk
Carlos Santana
Represents Latino spiritual rock fusion — combining Afro-Cuban rhythms, blues, jazz, and rock.
Santana symbolizes Chicano visibility in mainstream rock while maintaining Latin musical
roots.His group's performance at Woodstock (1969) demonstrated Afro-Cuban percussion with
rock elements.
A musician associated with incorporating Afro-Latin percussion, such as congas and bongos,
into popular music.
bungas
An Afro-Caribbean musical ensemble with African roots that influenced Latin and Chicano
music traditions.
tres
A Cuban guitar-like instrument used in son music
bongos
Two small drums are used in Son Conjunto ensemble music and Afro-Cuban percussion
conga drums (tumbadoras)
tall, single-headed Cuban drums
Drums used in Afro-Cuban music that play complex rhythmic patterns.
Sonora Matancera - Mala Pata
