SOLUTIONS MANUAL
TU
Music in Theory and Practice: Volume 1
VI
Bruce Benward and Marilyn Saker
──────────────────────────────────────────────────
A2
10th Edition
6_
AP
PR
OV
ED
??
,ST
TABLE OF CONTENTS
UV
Solutions Manual: Music in Theory and Practice, Volume 1, 10th Edition
By Bruce Benward
Introduction The Materials of Music: Sound and Time
IA
Part A The Fundamentals of Music
Chapter 1 Notation
26
Chapter 2 Scales, Tonality, Key, Modes
Chapter 3 Intervals and Transposition
_A
Chapter 4 Chords
Part B The Structural Elements of Music
Chapter 5 Cadences and Nonharmonic Tones
PP
Chapter 6 Melodic Organization
Chapter 7 Texture and Textural Reduction
RO
Chapter 8 Species Counterpoint
Chapter 9 Voice Leading in Four-Part Chorale Writing
Chapter 10 Harmonic Progression and Harmonic Rhythm
VE
Chapter 11 The Dominant Seventh Chord
Chapter 12 The Leading-Tone Seventh Chords
Chapter 13 Nondominant Seventh Chords
D?
Chapter 14 Secondary Dominant and Leading-Tone Chords
Chapter 15 Modulation
Chapter 16 Two-Part (Binary) Form
?
Chapter 17 Three-Part (Ternary) Form
1
,ST
W O R K B O O K SO L UTI O N S M A N U A L
UV
T O A CCO M P A N Y
IA
Music
26
_A
I N T H E O R Y A N D P R A C T IC E
PP
V ol u m e I
RO
Tenth Edition
VE
Bruce Benward
Late of the University of Wisconsin–Madison
D?
Marilyn Saker
Eastern Michigan University
?
,ST
Supplements for Instructors
Manuals
UV
Instructor’s Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Workbook Solutions Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Audio Files & Finale® Assignment Templates
Audio files and Finale® assignment templates can be obtained from the Online Learning Center at www.mhhe.com/mtp10.
IA
Supplemental Worksheets
Supplemental worksheets and answer keys are included in the Instructor’s Manuals.
26
Bass Clef Pitches Triads (M, m, d, A)
Treble Clef Pitches Seventh Chords (Mm)
Major Scales Seventh Chords (dd)
Minor Scales (Natural Form) Seventh Chords (dm)
Minor Scales (Harmonic Form) Seventh Chords (MM)
_A
Minor Scales (Melodic Form) Seventh Chords
Major Key Signatures Roman Numerals
Minor Key Signatures Secondary Dominants & Leading Tones
Intervals (m2, M2, m3) Common Chords
Intervals (M3, P4, A4) Borrowed Chords
PP
Intervals (d5, P5, m6) Neapolitan 6th Chords
Intervals (M6, m7, M7) Augmented 6th Chords
Roman Numerals 9th, 11th, and 13th Chords
Triads (Diminished & Augmented) Altered Dominants
RO
Triads (Minor & Major) Chromatic Mediants
Quizzes
Quizzes and answer keys are included in the Instructor’s Manuals.
Note Identification Dominant 7th Chord
Octave Identification Diminished-minor 7th Chord
VE
Rhythm and Meter Diminished-diminished 7th Chord
Small Intervals Leading-tone 7th Chords
Major Scales Nondominant 7th Chords
Minor Scales Secondary Dominant Triads
D?
Key Signatures Secondary Dominant 7th Chords
Intervals Secondary Leading-tone Triads
Transposition Secondary Leading-tone 7th Chords
Triads Secondary Dominant and Leading-tone Chords
Cadences Common Chord
?
Nonharmonic Tones Borrowed Chords
Melodic Organization Neapolitan 6th and Augmented 6th Chords
Textural Reduction Chromatic Chords
Mode Identification Extended Chords
Second-Inversion Triads Altered Dominants
Voice Leading Chromatic Mediants
Harmonization Set Theory
Major-minor 7th Chord Matrix
ii
TU
Music in Theory and Practice: Volume 1
VI
Bruce Benward and Marilyn Saker
──────────────────────────────────────────────────
A2
10th Edition
6_
AP
PR
OV
ED
??
,ST
TABLE OF CONTENTS
UV
Solutions Manual: Music in Theory and Practice, Volume 1, 10th Edition
By Bruce Benward
Introduction The Materials of Music: Sound and Time
IA
Part A The Fundamentals of Music
Chapter 1 Notation
26
Chapter 2 Scales, Tonality, Key, Modes
Chapter 3 Intervals and Transposition
_A
Chapter 4 Chords
Part B The Structural Elements of Music
Chapter 5 Cadences and Nonharmonic Tones
PP
Chapter 6 Melodic Organization
Chapter 7 Texture and Textural Reduction
RO
Chapter 8 Species Counterpoint
Chapter 9 Voice Leading in Four-Part Chorale Writing
Chapter 10 Harmonic Progression and Harmonic Rhythm
VE
Chapter 11 The Dominant Seventh Chord
Chapter 12 The Leading-Tone Seventh Chords
Chapter 13 Nondominant Seventh Chords
D?
Chapter 14 Secondary Dominant and Leading-Tone Chords
Chapter 15 Modulation
Chapter 16 Two-Part (Binary) Form
?
Chapter 17 Three-Part (Ternary) Form
1
,ST
W O R K B O O K SO L UTI O N S M A N U A L
UV
T O A CCO M P A N Y
IA
Music
26
_A
I N T H E O R Y A N D P R A C T IC E
PP
V ol u m e I
RO
Tenth Edition
VE
Bruce Benward
Late of the University of Wisconsin–Madison
D?
Marilyn Saker
Eastern Michigan University
?
,ST
Supplements for Instructors
Manuals
UV
Instructor’s Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Workbook Solutions Manual to Accompany Music in Theory and Practice, Volumes I and II, Tenth Edition.
Audio Files & Finale® Assignment Templates
Audio files and Finale® assignment templates can be obtained from the Online Learning Center at www.mhhe.com/mtp10.
IA
Supplemental Worksheets
Supplemental worksheets and answer keys are included in the Instructor’s Manuals.
26
Bass Clef Pitches Triads (M, m, d, A)
Treble Clef Pitches Seventh Chords (Mm)
Major Scales Seventh Chords (dd)
Minor Scales (Natural Form) Seventh Chords (dm)
Minor Scales (Harmonic Form) Seventh Chords (MM)
_A
Minor Scales (Melodic Form) Seventh Chords
Major Key Signatures Roman Numerals
Minor Key Signatures Secondary Dominants & Leading Tones
Intervals (m2, M2, m3) Common Chords
Intervals (M3, P4, A4) Borrowed Chords
PP
Intervals (d5, P5, m6) Neapolitan 6th Chords
Intervals (M6, m7, M7) Augmented 6th Chords
Roman Numerals 9th, 11th, and 13th Chords
Triads (Diminished & Augmented) Altered Dominants
RO
Triads (Minor & Major) Chromatic Mediants
Quizzes
Quizzes and answer keys are included in the Instructor’s Manuals.
Note Identification Dominant 7th Chord
Octave Identification Diminished-minor 7th Chord
VE
Rhythm and Meter Diminished-diminished 7th Chord
Small Intervals Leading-tone 7th Chords
Major Scales Nondominant 7th Chords
Minor Scales Secondary Dominant Triads
D?
Key Signatures Secondary Dominant 7th Chords
Intervals Secondary Leading-tone Triads
Transposition Secondary Leading-tone 7th Chords
Triads Secondary Dominant and Leading-tone Chords
Cadences Common Chord
?
Nonharmonic Tones Borrowed Chords
Melodic Organization Neapolitan 6th and Augmented 6th Chords
Textural Reduction Chromatic Chords
Mode Identification Extended Chords
Second-Inversion Triads Altered Dominants
Voice Leading Chromatic Mediants
Harmonization Set Theory
Major-minor 7th Chord Matrix
ii
