Inhoud
Hoofdstuk 1 – An introduction to the sociology of popular culture.......................................................5
De president van de popcultuur.........................................................................................................5
Verliezers, vreemden en freaks..........................................................................................................5
De functies van een populaire cultuur................................................................................................8
Onderzoeksvragen en argumenten....................................................................................................9
De massamedia-matrix.....................................................................................................................10
Oligopolie.....................................................................................................................................10
Verticale integratie.......................................................................................................................10
Horizontale integratie...................................................................................................................10
Diagonale integratie.....................................................................................................................11
Corporate Interlocks.....................................................................................................................11
Federal Communications Commission (FCC)................................................................................11
De matrix van identiteit....................................................................................................................12
Typologie van aanpassing van de popcultuur...................................................................................13
Samenvatting....................................................................................................................................14
Hoofdstuk 2 – Racial perspectives on Popular Culture.........................................................................15
Vertrouw me: vind je label...............................................................................................................15
Racial theory and Popular Culture....................................................................................................15
Theorieën van ras en racisme...........................................................................................................16
Race in de sociale wereld.................................................................................................................16
Raciale dynamiek van vertegenwoordiging......................................................................................17
Raciale vertegenwoordigingen in film..............................................................................................17
Raciale vertegenwoordigingen op tv................................................................................................19
Raciale vertegenwoordigingen in muziek.........................................................................................20
Raciale vertegenwoordigingen in fictie.............................................................................................20
Raciale vertegenwoordigingen in de sport.......................................................................................21
Methodologie Moment STUDEREN CULTURELE EFFICIËNTIE...........................................................21
Raciale dynamiek van productie.......................................................................................................23
Methodologie Moment ARBEIDSKRACHTANALYSE..........................................................................25
Hoe Race de kijkerservaring vormgeeft............................................................................................25
Methodologie Moment PUBLIEK-ETNOGRAFIE................................................................................26
Samenvatting....................................................................................................................................27
Hoofdstuk 3 – Class perspectives on popular culture...........................................................................28
Dit is Shittown...................................................................................................................................28
, Marxisme, Home en Habitus............................................................................................................28
Theorieën over klasse en ongelijkheid..............................................................................................30
Klasse in de sociale wereld...............................................................................................................30
Omroepklasse...................................................................................................................................31
Klasse vertegenwoordigingen op tv..................................................................................................32
Klasse vertegenwoordigingen in film................................................................................................32
Klasse vertegenwoordigingen in populaire muziek..........................................................................33
Methodology Moment QUALITATIVE CONTENT ANALYSIS...............................................................34
Klasse en de wijzen van culturele productie.....................................................................................35
Methodologie Moment PRODUCTIE ETNOGRAFIE...........................................................................36
De Stratificatie van de ontvangers....................................................................................................37
Methodologie Moment PUBLIEKONDERZOEKEN..............................................................................38
Samenvatting....................................................................................................................................38
Hoofdstuk 4 – Gender perspectives on popular culture.......................................................................40
Is Beyoncé een feministe?................................................................................................................40
Culture and the Awakening of Gender.............................................................................................41
Feministische theorieën en theorieën over gender..........................................................................42
Gender in de sociale wereld.............................................................................................................42
Geslachtsdemografie in de massamedia..........................................................................................43
Gendervertegenwoordigingen op tv.............................................................................................43
Gendervertegenwoordigingen op film.............................................................................................44
Gendervertegenwoordigingen in advertenties.............................................................................45
Gender Representations in Fiction...............................................................................................46
Gendervertegenwoordigingen in populaire muziek.....................................................................46
Trans vertegenwoordigingen in populaire cultuur.......................................................................47
Methodologie Moment BESCHRIJVING ANALYSE.............................................................................48
Gendergerelateerde productie.........................................................................................................49
Methodologie Moment CREATOR INTERVIEWS...............................................................................50
Geslachtsgebonden doelgroepen.....................................................................................................51
Methodologie Moment STUDEREN CONTROVERSIE........................................................................53
Samenvatting....................................................................................................................................54
Hoofdstuk 5 – Sexuality perspectives on popular culture.....................................................................55
Twee koninginnen in een keuken.....................................................................................................55
Seksualiteit en macht.......................................................................................................................56
Queer Theory....................................................................................................................................57
Seksualiteit in de sociale wereld.......................................................................................................58
Hoofdstuk 1 – An introduction to the sociology of popular culture.......................................................5
De president van de popcultuur.........................................................................................................5
Verliezers, vreemden en freaks..........................................................................................................5
De functies van een populaire cultuur................................................................................................8
Onderzoeksvragen en argumenten....................................................................................................9
De massamedia-matrix.....................................................................................................................10
Oligopolie.....................................................................................................................................10
Verticale integratie.......................................................................................................................10
Horizontale integratie...................................................................................................................10
Diagonale integratie.....................................................................................................................11
Corporate Interlocks.....................................................................................................................11
Federal Communications Commission (FCC)................................................................................11
De matrix van identiteit....................................................................................................................12
Typologie van aanpassing van de popcultuur...................................................................................13
Samenvatting....................................................................................................................................14
Hoofdstuk 2 – Racial perspectives on Popular Culture.........................................................................15
Vertrouw me: vind je label...............................................................................................................15
Racial theory and Popular Culture....................................................................................................15
Theorieën van ras en racisme...........................................................................................................16
Race in de sociale wereld.................................................................................................................16
Raciale dynamiek van vertegenwoordiging......................................................................................17
Raciale vertegenwoordigingen in film..............................................................................................17
Raciale vertegenwoordigingen op tv................................................................................................19
Raciale vertegenwoordigingen in muziek.........................................................................................20
Raciale vertegenwoordigingen in fictie.............................................................................................20
Raciale vertegenwoordigingen in de sport.......................................................................................21
Methodologie Moment STUDEREN CULTURELE EFFICIËNTIE...........................................................21
Raciale dynamiek van productie.......................................................................................................23
Methodologie Moment ARBEIDSKRACHTANALYSE..........................................................................25
Hoe Race de kijkerservaring vormgeeft............................................................................................25
Methodologie Moment PUBLIEK-ETNOGRAFIE................................................................................26
Samenvatting....................................................................................................................................27
Hoofdstuk 3 – Class perspectives on popular culture...........................................................................28
Dit is Shittown...................................................................................................................................28
, Marxisme, Home en Habitus............................................................................................................28
Theorieën over klasse en ongelijkheid..............................................................................................30
Klasse in de sociale wereld...............................................................................................................30
Omroepklasse...................................................................................................................................31
Klasse vertegenwoordigingen op tv..................................................................................................32
Klasse vertegenwoordigingen in film................................................................................................32
Klasse vertegenwoordigingen in populaire muziek..........................................................................33
Methodology Moment QUALITATIVE CONTENT ANALYSIS...............................................................34
Klasse en de wijzen van culturele productie.....................................................................................35
Methodologie Moment PRODUCTIE ETNOGRAFIE...........................................................................36
De Stratificatie van de ontvangers....................................................................................................37
Methodologie Moment PUBLIEKONDERZOEKEN..............................................................................38
Samenvatting....................................................................................................................................38
Hoofdstuk 4 – Gender perspectives on popular culture.......................................................................40
Is Beyoncé een feministe?................................................................................................................40
Culture and the Awakening of Gender.............................................................................................41
Feministische theorieën en theorieën over gender..........................................................................42
Gender in de sociale wereld.............................................................................................................42
Geslachtsdemografie in de massamedia..........................................................................................43
Gendervertegenwoordigingen op tv.............................................................................................43
Gendervertegenwoordigingen op film.............................................................................................44
Gendervertegenwoordigingen in advertenties.............................................................................45
Gender Representations in Fiction...............................................................................................46
Gendervertegenwoordigingen in populaire muziek.....................................................................46
Trans vertegenwoordigingen in populaire cultuur.......................................................................47
Methodologie Moment BESCHRIJVING ANALYSE.............................................................................48
Gendergerelateerde productie.........................................................................................................49
Methodologie Moment CREATOR INTERVIEWS...............................................................................50
Geslachtsgebonden doelgroepen.....................................................................................................51
Methodologie Moment STUDEREN CONTROVERSIE........................................................................53
Samenvatting....................................................................................................................................54
Hoofdstuk 5 – Sexuality perspectives on popular culture.....................................................................55
Twee koninginnen in een keuken.....................................................................................................55
Seksualiteit en macht.......................................................................................................................56
Queer Theory....................................................................................................................................57
Seksualiteit in de sociale wereld.......................................................................................................58
