Basic Facts Purpose Of Performance Features Of Performance
Choreographer - Lucy Bennett timulus
S ural Setting - Andy Higgs wanted to create
A
- A snow-covered landscape a futuristic atmosphere acknowledging that
Dance Company - Stopgap Dance Company with an isolated figure perched time had passed and that the old ways had
- find innovative ways to collaborate on a collapsed wheelchair. This broken down. He used the whole of the piano
figure is being observed from both inside and out to create a cold, ambient
Number Of Dancers - 4 (2 males - David T & afar as if through a snow globe. sound. He also used the sound of the paper
David W, 2 females Laura & Amy) - Paintings by Goran Djurovic snow and incorporated other sound effects
- Dancers personal experiences such as a distant rumble, wind and footsteps
Dance Style - Inclusive Contemporary. through snow. Elements of the song ‘The
Choreographic Intention Sunshine of Your Smile’ were mixed into the
CHOREOGRAPHIC APPROACH - Coming to terms with life’s atmosphere often sounding distorted or as if
The choreographer worked collaboratively limitations. Constricted within a drifting in on the wind. The final section uses
with the dancers. Choreographer initiates snow globe Living with individual the full version of the song.
work through choreographic tasks. The regrets
movement was inspired by Laura and her ostume - Designed by Anna Jones, the
C
use of the wheelchair, then adapted to able costumes are a wash of blue and green,
bodied dancers. merging with the backdrop. It looks as if paint
is running from the garments, which is a
Structure - reference to being stuck in one of the
paintings by Djurovic. Outer garments worn
in previous scenes, such as jackets and
jumpers, are removed in this scene to depict
that time has moved on.
ighting - Designed by Chahine Yavrovan.
L
For much of the piece the lighting focuses on
one or two spots. It opens out in the middle,
with a blue wash and warm and cool side
lighting before closing down to another spot
for the final solo.
Performance Setting - Proscenium arch
taging/set - Anna Jones - Heavy backdrop
S
with paint streaming down Collapsed
wheelchair Fake white snow on the floor. A
glass cabinet on its side filled with fake snow
Two stools. Headless mannequin
Choreographer - Lucy Bennett timulus
S ural Setting - Andy Higgs wanted to create
A
- A snow-covered landscape a futuristic atmosphere acknowledging that
Dance Company - Stopgap Dance Company with an isolated figure perched time had passed and that the old ways had
- find innovative ways to collaborate on a collapsed wheelchair. This broken down. He used the whole of the piano
figure is being observed from both inside and out to create a cold, ambient
Number Of Dancers - 4 (2 males - David T & afar as if through a snow globe. sound. He also used the sound of the paper
David W, 2 females Laura & Amy) - Paintings by Goran Djurovic snow and incorporated other sound effects
- Dancers personal experiences such as a distant rumble, wind and footsteps
Dance Style - Inclusive Contemporary. through snow. Elements of the song ‘The
Choreographic Intention Sunshine of Your Smile’ were mixed into the
CHOREOGRAPHIC APPROACH - Coming to terms with life’s atmosphere often sounding distorted or as if
The choreographer worked collaboratively limitations. Constricted within a drifting in on the wind. The final section uses
with the dancers. Choreographer initiates snow globe Living with individual the full version of the song.
work through choreographic tasks. The regrets
movement was inspired by Laura and her ostume - Designed by Anna Jones, the
C
use of the wheelchair, then adapted to able costumes are a wash of blue and green,
bodied dancers. merging with the backdrop. It looks as if paint
is running from the garments, which is a
Structure - reference to being stuck in one of the
paintings by Djurovic. Outer garments worn
in previous scenes, such as jackets and
jumpers, are removed in this scene to depict
that time has moved on.
ighting - Designed by Chahine Yavrovan.
L
For much of the piece the lighting focuses on
one or two spots. It opens out in the middle,
with a blue wash and warm and cool side
lighting before closing down to another spot
for the final solo.
Performance Setting - Proscenium arch
taging/set - Anna Jones - Heavy backdrop
S
with paint streaming down Collapsed
wheelchair Fake white snow on the floor. A
glass cabinet on its side filled with fake snow
Two stools. Headless mannequin
