CIN101 FINAL STUDY GUIDE
les rendez-vous d'Anna - Answers - Chantal Akerman, France, 1974
October - Answers - Sergei Eisenstein, USSR, 1928
Bamboozled - Answers - Spike Lee, USA, 2000
The Wind Will Carry Us - Answers - Abbas Kiarostami, Iran, 1999
All about My Mother - Answers - Pedro Almodovar, Spain, 1999
What time is it there? - Answers - Tsai Ming Liang, Taiwan, 2001
La Cienaga - Answers - Lucrecia Martel, Argentina, 2001
Clean - Answers - Assayas, France, 2004
Irma Vep - Answers - Olivier Assayas, France, 1996
Meek's Cutoff - Answers - Kelly Reichart, US, 2010
Blockers - Answers - Kay Cannon, US, 2018
Ideology - Answers - is an internalized image of one's place within all of the social
dynamics related to power and hierarchy. Put differently, ideology describes the lens
through which individuals see and understand how they fit into the social world around
them.
Dominant Ideology - Answers - In any given time and place, one view of the world will
tend to prevail.
Alternative Ideologies - Answers - These are belief systems of individuals who feel that
the dominant ideology does not meet their needs.
Counter Cinemas - Answers - are practices of filmmaking that are expressly concerned
to resist the conventions of mainstrem cinema as they are understood to do the work of
producing an emotional, and there by ideational, affirmation of the status quo.
Aesthetic Autonomy - Answers - denotes an approach to art that insists on the art's
independence from social and political concerns. Likewisem the aestherically
autonomous work is one the also does not refer to nature as its source of beauty.
Stylistic Homogeneity - Answers - example: Room for rent
, Diegetic Sound - Answers - sound that appars to originate in the story world.
Extradiegetic Sound - Answers - Comments on the story world and belongs to the
narration.
Sound/Image counterpoint - Answers - When image and sound remain independent of
one another; sound may compilment the image, but dose not duplicate it.
Michel Foucault - Answers - If an individual is not an author, what are we to make of
those things that he was written or said, left among his papres or commmunicated to
others.
Transdiscursivity - Answers - The distinctive contribution of these authors is that they
produceed not only their own work, but the possibilty and the rules formation of other
texts.
Style - Answers - is understood to reflect and be informed by tensions, beliefs or values,
oppositional of affirmative, that are held at the moment in which a film is made.
Transnational Cinema - Answers - Denotes an approach to filmmaking and also the
study of film, which emphasizes the presence of cross-cultural infulence.
Subjective Sound - Answers - Sound rendered as a character hears it rather than as an
objective auditor would hear it.
Andrew Sarris - Answers - The three premises of the auteur theory may be visualized
as three concentric circles.
National Cinema - Answers - An approach to cinema that seeks to identify the stylistic
tendencies of a national film culture that are unique to that colture, characteristics that
are consistent with the cultural norms of a particulalr country in a particular time.
parallel editing - Answers - an editing pattern in which the film cuts back forth between
two actions
Globalization - Answers - Refers to the homogenization of commeerce, capital and
culture acorss international borders.
Global Style - Answers - A consideration of the way in which films begin to employ
stylistic norms.
Cosmopolitanism - Answers - Indicates an openness to the world, a regular movenment
across borders and between culturs. Transnational Cinema strongly related to
comospolitanism.
les rendez-vous d'Anna - Answers - Chantal Akerman, France, 1974
October - Answers - Sergei Eisenstein, USSR, 1928
Bamboozled - Answers - Spike Lee, USA, 2000
The Wind Will Carry Us - Answers - Abbas Kiarostami, Iran, 1999
All about My Mother - Answers - Pedro Almodovar, Spain, 1999
What time is it there? - Answers - Tsai Ming Liang, Taiwan, 2001
La Cienaga - Answers - Lucrecia Martel, Argentina, 2001
Clean - Answers - Assayas, France, 2004
Irma Vep - Answers - Olivier Assayas, France, 1996
Meek's Cutoff - Answers - Kelly Reichart, US, 2010
Blockers - Answers - Kay Cannon, US, 2018
Ideology - Answers - is an internalized image of one's place within all of the social
dynamics related to power and hierarchy. Put differently, ideology describes the lens
through which individuals see and understand how they fit into the social world around
them.
Dominant Ideology - Answers - In any given time and place, one view of the world will
tend to prevail.
Alternative Ideologies - Answers - These are belief systems of individuals who feel that
the dominant ideology does not meet their needs.
Counter Cinemas - Answers - are practices of filmmaking that are expressly concerned
to resist the conventions of mainstrem cinema as they are understood to do the work of
producing an emotional, and there by ideational, affirmation of the status quo.
Aesthetic Autonomy - Answers - denotes an approach to art that insists on the art's
independence from social and political concerns. Likewisem the aestherically
autonomous work is one the also does not refer to nature as its source of beauty.
Stylistic Homogeneity - Answers - example: Room for rent
, Diegetic Sound - Answers - sound that appars to originate in the story world.
Extradiegetic Sound - Answers - Comments on the story world and belongs to the
narration.
Sound/Image counterpoint - Answers - When image and sound remain independent of
one another; sound may compilment the image, but dose not duplicate it.
Michel Foucault - Answers - If an individual is not an author, what are we to make of
those things that he was written or said, left among his papres or commmunicated to
others.
Transdiscursivity - Answers - The distinctive contribution of these authors is that they
produceed not only their own work, but the possibilty and the rules formation of other
texts.
Style - Answers - is understood to reflect and be informed by tensions, beliefs or values,
oppositional of affirmative, that are held at the moment in which a film is made.
Transnational Cinema - Answers - Denotes an approach to filmmaking and also the
study of film, which emphasizes the presence of cross-cultural infulence.
Subjective Sound - Answers - Sound rendered as a character hears it rather than as an
objective auditor would hear it.
Andrew Sarris - Answers - The three premises of the auteur theory may be visualized
as three concentric circles.
National Cinema - Answers - An approach to cinema that seeks to identify the stylistic
tendencies of a national film culture that are unique to that colture, characteristics that
are consistent with the cultural norms of a particulalr country in a particular time.
parallel editing - Answers - an editing pattern in which the film cuts back forth between
two actions
Globalization - Answers - Refers to the homogenization of commeerce, capital and
culture acorss international borders.
Global Style - Answers - A consideration of the way in which films begin to employ
stylistic norms.
Cosmopolitanism - Answers - Indicates an openness to the world, a regular movenment
across borders and between culturs. Transnational Cinema strongly related to
comospolitanism.
