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Women’s Oppression in Shakespeare’s Othello

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Women’s Oppression in Shakespeare’s Othello

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Women’s Oppression in Shakespeare’s Othello




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, Introduction


The theme of gender particularly women oppression stands out as a significant subject in
the course of examining Shakespeare’s Othello. Recebt years have seen scholars coming to
realize the significance that female characters within the play contributed towards the growth of
the plot and other themes within the play (You 12). Women, gender, and domesticity are
significant subjects to explore in this particular play since they are evident in almost all the
scenes (Adams 4). They are significant to this particular study since different aspects of gender
have been explored in the play to bring out oppression faced by women. An example is the roles
and expectations that women in the play are expected to perform such as carrying out domestic
tasks, satisfying men sexually and always serving men whenever called upon. Also, women
oppression has played a critical role in developing other characters and themes within the play.
In the play, women oppression has been depicted through Othello’s mother even though she
died prior the beginning of the play, Desdemona, Emilia, and Bianca (You 12). In what follows,
I will argue that Othello has greatly explored the fact that men disregard women in the society
and all the action men do to women is a form of oppression.


Women’s Oppression based on their gender.


Aspects of women oppression particularly as a result of gender inequality are evident
throughout the play. The subject of women oppression stands out as a significant subject in the
course of examining Othello’s tragedy in Shakespeare’s Othello due to the significant
contribution made by women in the course of enhancing the play’s plot. In the play, from the
onset to the end of the play there are numerous instances whereby the audience can notice
discriminatory words or acts made against women. Within the play, it is clear that women have
been rendered powerless and are considered as men’s possession. From time to time, within the
play, women are referred to as objects. For instance, Brabantio asserts “She is ... stol'n from me“
(1.3.60). In this statement, Brabantio employs the use of political terms to describe the situation
and the things that had come to pass making him consider his daughter to be dead to him. Also,

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