Testbank
MATCHING. Match the name or term on the left with the identification or definition on the right.
1. alla prima
2. Book of Hours
3. Broederlam
4. Deposition
5. Ditn
6. dog
7. Fontainebleau
8. g~e
9. Harp of David
10. Lochner
1 1. impasto
12. iris and columbine
13. Jean Pucelle
14. Joachim Patinir
15. Master of Flemalle
16. polyptych
17. Portinari
18. predella
19. sheaf of wheat
20. shoes not on feet
21. sink or basin and towel
22. Stoss
23. triptych
24. woodcut
25. Witz
A. Netherlandish city important for trade
B. French capital of the Dukes of Burgundy
C. German sculptor
D. symbol of the purity of the Virgin
E. fourteenth-century French miniaturist
F. also known as Robert Campin
G. taking Christ down from the Cross
H. symbol of fidelity
I. symbol of the Eucharist
J. symbol of the ancestor of Christ
K . symbol of holy ground
L. symbol of Sorrows of the Virgin
M. small panel(s) at the bottom of an altarpiece
N. richly decorated style popular in sixteenth-century Spain
O. three paneled altarpiece
P. scenes of everyday life
Q. multi-paneled altarpiece
R. Italian banker, patron of Hugo van der
Goes
S. sixteenth-century French palace
T. contains prayers for various times of day
U. painting directly onto canvas with little or no underpainting
V. paint applied thickly, often with lumps
, W. sixteenth-century Flemish painter who specialized in landscapes
X. Netherlandish painter active c. 1400
Y. fifteenth-century German/Swiss painter
Z. graphic technique particularly popular in
Germany
MULTIPLE-CHOICE QUESTIONS. Select the response that best answers the question or
completes the statement.
26. Who is known as a Flemish "Romanist"? a . Van der Goes b. Bartholomeus Spranger c.
Pieter Bruegel d. Joachim Patinir
27. Who is most famous for his work at Fontainebleau?
a . Jean Clouet b. Jean Goujon
c. Francesco Primaticcio d. Germain Pilon
28. The royal patron of the Escorial was
a. Francis I b. Henry VIII
c. Charles V d. Phillip II
29. The artist who is famous for his scenes of peasants was
a . Jerome Bosch b. Matthias Grunewald
c. Pieter Bruegel d. Albrecht Durer
30. The artist who worked for Henry VIII and is famous for his portraits was
a. Hans Holbein b. Jean Clouet
c. ElGreco d. Albrecht Durer
31. The German artist who was most interested in classical form was
a. Grunewald - b. Cranach
c. Durer d. Schongauer
32. The artist Martin Schongauer is most famous for his work in the medium of
a. woodcut b. engraving
c. sculpture d. architecture
33. Which of the following Netherlandish artists travelled to Italy in the mid-fifteenth century
and was influenced to some degree by Italian art?
a . Van Eyck b. Van der Weyden
c. Van der Goes d. Bosch
34. The style of Michael Pacher shows the influence of
a. the hard linearity of Mantegna b. the sfumato of Leonardo da Vinci
c. the Humanism of Botticelli d. the soft style of Broederlam
35. Sluter's sculptural work can be characterized as
a. elegant, using sweeping curvilinear b. bulky space-displacing forms with realistic lines details
c. typical of the "sofY' style d. strongly influenced by the style of Donatello
MATCHING. Match the name or term on the left with the identification or definition on the right.
1. alla prima
2. Book of Hours
3. Broederlam
4. Deposition
5. Ditn
6. dog
7. Fontainebleau
8. g~e
9. Harp of David
10. Lochner
1 1. impasto
12. iris and columbine
13. Jean Pucelle
14. Joachim Patinir
15. Master of Flemalle
16. polyptych
17. Portinari
18. predella
19. sheaf of wheat
20. shoes not on feet
21. sink or basin and towel
22. Stoss
23. triptych
24. woodcut
25. Witz
A. Netherlandish city important for trade
B. French capital of the Dukes of Burgundy
C. German sculptor
D. symbol of the purity of the Virgin
E. fourteenth-century French miniaturist
F. also known as Robert Campin
G. taking Christ down from the Cross
H. symbol of fidelity
I. symbol of the Eucharist
J. symbol of the ancestor of Christ
K . symbol of holy ground
L. symbol of Sorrows of the Virgin
M. small panel(s) at the bottom of an altarpiece
N. richly decorated style popular in sixteenth-century Spain
O. three paneled altarpiece
P. scenes of everyday life
Q. multi-paneled altarpiece
R. Italian banker, patron of Hugo van der
Goes
S. sixteenth-century French palace
T. contains prayers for various times of day
U. painting directly onto canvas with little or no underpainting
V. paint applied thickly, often with lumps
, W. sixteenth-century Flemish painter who specialized in landscapes
X. Netherlandish painter active c. 1400
Y. fifteenth-century German/Swiss painter
Z. graphic technique particularly popular in
Germany
MULTIPLE-CHOICE QUESTIONS. Select the response that best answers the question or
completes the statement.
26. Who is known as a Flemish "Romanist"? a . Van der Goes b. Bartholomeus Spranger c.
Pieter Bruegel d. Joachim Patinir
27. Who is most famous for his work at Fontainebleau?
a . Jean Clouet b. Jean Goujon
c. Francesco Primaticcio d. Germain Pilon
28. The royal patron of the Escorial was
a. Francis I b. Henry VIII
c. Charles V d. Phillip II
29. The artist who is famous for his scenes of peasants was
a . Jerome Bosch b. Matthias Grunewald
c. Pieter Bruegel d. Albrecht Durer
30. The artist who worked for Henry VIII and is famous for his portraits was
a. Hans Holbein b. Jean Clouet
c. ElGreco d. Albrecht Durer
31. The German artist who was most interested in classical form was
a. Grunewald - b. Cranach
c. Durer d. Schongauer
32. The artist Martin Schongauer is most famous for his work in the medium of
a. woodcut b. engraving
c. sculpture d. architecture
33. Which of the following Netherlandish artists travelled to Italy in the mid-fifteenth century
and was influenced to some degree by Italian art?
a . Van Eyck b. Van der Weyden
c. Van der Goes d. Bosch
34. The style of Michael Pacher shows the influence of
a. the hard linearity of Mantegna b. the sfumato of Leonardo da Vinci
c. the Humanism of Botticelli d. the soft style of Broederlam
35. Sluter's sculptural work can be characterized as
a. elegant, using sweeping curvilinear b. bulky space-displacing forms with realistic lines details
c. typical of the "sofY' style d. strongly influenced by the style of Donatello
