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Theory of Architecture

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The architectural theory tradition includes arguments for novel approaches to the architectural discipline and practice as well as critical commentary on or interpretations of architectural works, styles, or movements. It also includes instructions or directions for architectural design. Written by architects, architectural critics, and architectural historians, the works in this diverse Western tradition span the time period from Vitruvius (15 BCE) to the present.

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THEORY OF DESIGN

● Research of Architecture
- Research contributes to Design Theory
● Nature of Design Theory
- Design Theory states facts
- Design Theory aids design
● Scope of Architecture Theory
- Includes all that is presented in the handbooks of architects
- Includes legislation, norms and standards, rules and methods
- Includes miscellaneous and “unscientific” elements
● Why Design Theory?
- To aid the work of the architect and improve its product
- Proven theory helps designers do work better and more efficiently
- “Skill without knowledge is nothing”
(architect Jean Mignot, 1400 AD)
● Understanding Design Theory
- Theory does NOT necessarily mean PRECCED design
- PARADISM : every new or established theory applied
: STYLE

⮚ THEMATIC THEORIES
● CLASSICAL
- Marcus Vitruvius Pollio
● MIDDLE AGES
- Medieval (read: Dark Age) anonymous tradition of trade guilds
● RENAISSANCE
- Alberti, Vignola, Palladio, etc.
● STRUCTURALIST
- Galileo Galilei, Robert Hooke, etc.
● ART NOUVEAU (Personal Style)
- Eugene Emmanuelle Violett-le-Due, Le Corbusier, etc.
● FUNCTIONALISM
- Walter Gropius, Louis Sullivan, etc.
- modern architecture
● POSTMODERNISM
- Robert Venturi
● SYMBOLIC ARCHITECTURE
● ECOLOGICAL ARCHITECTURE



⮚ CLASSICAL THEORIES
● Marcus Vitruvius Pollio
- Author of the oldest research on architecture
- Wrote an extensive summary of all the theory on construction
- Had a thorough knowledge of earlier Greek and Roman writings
● “Ten Books on Architecture”
- De architectura libri decem
- Consists mostly of normative theory of design (based on practice)
- A collection of thematic theories of design with no method of combining them into a synthesis

, - Presents a classification of requirements set for buildings:
: DURABILTIY (firmitas)
: PRACTICALITY or “convenience”
(utilitas)
: PLEASANTNESS (venustas)
● Vitruvian Rules of Aesthetic Form
- Based on Greek traditions of architecture
- Teachings of Pythagoras : applying proportions of numbers
- Observations of tuned string of instruments
- Proportions of human body
- PLEASANTNESS : in accordance of good taste
: parts follow proportions
: symmetry of measures

⮚ THEORIES in the MIDDLE AGES
- no documents
- no person can be attributed for theories

● Monastery Institutions
- Most documents retrieved from the Middle Ages
- However, archives contain only few descriptions of buildings
- Described only as “according to the traditional model”
- “There’s no accounting for tastes” was the rule of thumb
● Development of Building Style
- With hardly or no literary research present
- Villard de Hannecourt’s “sketchbook” in 1235
- Rotzer’s Booklet on the right way of making pinnacles
- Only through guidance of old masters
- Tradition binding and precise in close guilds of builders




⮚ RENNAISANCE THEORIES

● 1948 – a copy of Virtue manuscript found at St. Gallen Monastery
● Leon Bautista Alberti (1404-72)
- Person in charge of constructions commanded by Pope
- “On Building” : De re aedifficatoria
: one of the greatest works of the theory of
architecture
: completed in 1452, published in 1485
: more emphasis on decoration of building
exteriors
● Sebastino Serlio
- “Regole generall di architectura”
● Giacomo Barozzi da Vignola
- “Regola delle cinque ordini”
- Concise, facts and easily applicable rules of the five column systems
- Based his design instructions on four things:
: idea of Pythagoras

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