L A S / M A S / M U S
3 3 7
F i n a l
( t e r m s )
elements
of
music
-
ANS
timbre,
pitch,
rhythm,
texture,
dynamics,
form
timbre
-
ANS
tone
or
aural
color
ex:
bright
or
muted,
short
or
long
degradation,
clear
or
fuzzy
pitch
-
ANS
frequency
of
the
tone
rhythm
-
ANS
duration
of
sounds
and
silences
and
organization
of
such
texture
-
ANS
phonic
structure
or
relationships
between
sounds
dynamics
-
ANS
volume
and
articulation
of
sounds
form
-
ANS
underlying
organizational
structure
of
the
sounds
organology
-
ANS
type
of
instruments
used
(sachs-hornbostel
system)
sachs-hornbostel
system
-
ANS
aerophones,
chordophones,
idiophones,
membranophones,
electrophones
aerophones
-
ANS
flutes,
reeds,
trumpets
chordophones
-
ANS
lutes,
zithers,
lyres,
harps
(plucked,
bowed,
struck,
and
fretted)
idiophones
-
ANS
pitched/non-pitched,
plucked,
struck,
shaken
membranophones
-
ANS
struck
with
hand,
stick,
or
other
device
rubbed
or
singing
membranes
electrophones
-
ANS
sound
produce
by
electronic
means,
sound
enhanced
by
electronic
means
the
bandas
de
viento
(wind
bands)
developed
in
Oaxaca,
and
in
mexico
in
general
-
ANS
true
what
is
the
19th
century
cuban
dance
that
was
integrated
into
the
repertoire
of
mexican
music?
-
ANS
danzon what
is
the
spanish
term
for
mixture
used
in
reference
to
racial
blending?
-
ANS
mestizaje
folk
music
is
understood
as
music
that
only
circulates
through
notation
-
ANS
false
"sandunga"
was
performed
by
this
contemporary
singer
-
ANS
lila
downs
the
four
elements
of
dance
as
outlined
by
rudolf
van
laban
are:
body ,
time,
space,
and
movement
-
ANS
false
all
societies
have
music
-
ANS
true
music
can
exist
free
from
social
influence
and
context
-
ANS
false
a
primary
dif ference
between
the
danza
de
los
concheros
and
the
danza
azteca
is
the
use
of
the
(blank),
a
stringed
instrument
of
obvious
spanish
influence
-
ANS
concha
characteristics
of
the
danzas
de
conquista
-
ANS
indigenous:
use
of
wind
and
percussion
instruments
only
spanish
influence:
using
musical
notation
mestizaje:
using
dance
steps
in
the
form
of
a
cross
or
cardinal
directions
the
taylor
and
hickey
article
was
thought-provoking
in
its
various
descriptions
of
people
who
held
stereotyped
views
of
mexico
-
ANS
true
match
composer
to
composition:
1.
Jose
A vila
2.
Christopher
Moroney
3.
Carlos
Chavez
-
ANS
1.
"Raiz
V iva"
2.
"T eponazcuicatl"
3.
"Xochipilli"
atecocolli
-
ANS
sea
shell
horn
cuicatl
-
ANS
song
in
nahuatl
cuicapiztles
-
ANS
nahua
professional
musicians
3 3 7
F i n a l
( t e r m s )
elements
of
music
-
ANS
timbre,
pitch,
rhythm,
texture,
dynamics,
form
timbre
-
ANS
tone
or
aural
color
ex:
bright
or
muted,
short
or
long
degradation,
clear
or
fuzzy
pitch
-
ANS
frequency
of
the
tone
rhythm
-
ANS
duration
of
sounds
and
silences
and
organization
of
such
texture
-
ANS
phonic
structure
or
relationships
between
sounds
dynamics
-
ANS
volume
and
articulation
of
sounds
form
-
ANS
underlying
organizational
structure
of
the
sounds
organology
-
ANS
type
of
instruments
used
(sachs-hornbostel
system)
sachs-hornbostel
system
-
ANS
aerophones,
chordophones,
idiophones,
membranophones,
electrophones
aerophones
-
ANS
flutes,
reeds,
trumpets
chordophones
-
ANS
lutes,
zithers,
lyres,
harps
(plucked,
bowed,
struck,
and
fretted)
idiophones
-
ANS
pitched/non-pitched,
plucked,
struck,
shaken
membranophones
-
ANS
struck
with
hand,
stick,
or
other
device
rubbed
or
singing
membranes
electrophones
-
ANS
sound
produce
by
electronic
means,
sound
enhanced
by
electronic
means
the
bandas
de
viento
(wind
bands)
developed
in
Oaxaca,
and
in
mexico
in
general
-
ANS
true
what
is
the
19th
century
cuban
dance
that
was
integrated
into
the
repertoire
of
mexican
music?
-
ANS
danzon what
is
the
spanish
term
for
mixture
used
in
reference
to
racial
blending?
-
ANS
mestizaje
folk
music
is
understood
as
music
that
only
circulates
through
notation
-
ANS
false
"sandunga"
was
performed
by
this
contemporary
singer
-
ANS
lila
downs
the
four
elements
of
dance
as
outlined
by
rudolf
van
laban
are:
body ,
time,
space,
and
movement
-
ANS
false
all
societies
have
music
-
ANS
true
music
can
exist
free
from
social
influence
and
context
-
ANS
false
a
primary
dif ference
between
the
danza
de
los
concheros
and
the
danza
azteca
is
the
use
of
the
(blank),
a
stringed
instrument
of
obvious
spanish
influence
-
ANS
concha
characteristics
of
the
danzas
de
conquista
-
ANS
indigenous:
use
of
wind
and
percussion
instruments
only
spanish
influence:
using
musical
notation
mestizaje:
using
dance
steps
in
the
form
of
a
cross
or
cardinal
directions
the
taylor
and
hickey
article
was
thought-provoking
in
its
various
descriptions
of
people
who
held
stereotyped
views
of
mexico
-
ANS
true
match
composer
to
composition:
1.
Jose
A vila
2.
Christopher
Moroney
3.
Carlos
Chavez
-
ANS
1.
"Raiz
V iva"
2.
"T eponazcuicatl"
3.
"Xochipilli"
atecocolli
-
ANS
sea
shell
horn
cuicatl
-
ANS
song
in
nahuatl
cuicapiztles
-
ANS
nahua
professional
musicians
