AQA
AS
ENGLISH LITERATURE B
Paper 1A Literary genres: Drama: Aspects of tragedy
Thursday 18 May 2023 Morning Time allowed: 1 hour 30 minutes
Materials
For this paper you must have:
• an AQA 12-page answer book.
Instructions
• Use black ink or black ball-point pen.
• Write the information required on the front of your answer book. The Paper Reference is 7716/1A.
• Do all rough work in your answer book. Cross through any work you do not want to be marked.
• You must answer one question from Section A and one question from Section B.
Information
• The maximum mark for this paper is 50.
• The marks for questions are shown in brackets.
• You will be marked on your ability to:
– use good English
– organise information clearly
– use specialist vocabulary where appropriate.
• In your response you need to:
– analyse carefully the writers’ methods
– explore the contexts of the texts you are writing about
– explore the connections across the texts you have studied
– explore different interpretations of your texts.
IB/G/Jun23/E8 7716/1A
, 2
Section A
Answer one question from this section.
Either
0 1 Othello – William Shakespeare
Explore the significance of aspects of dramatic tragedy in the following passage in
relation to the play as a whole.
You should consider the following in your answer:
• the presentation of Iago’s villainy
• Othello’s response to Iago’s manipulation
• other relevant aspects of dramatic tragedy.
[25 marks]
IAGO Cassio’s my worthy friend.
My lord, I see you’re moved.
OTHELLO No, not much moved.
I do not think but Desdemona’s honest.
IAGO
Long live she so! And long live you to think so!
OTHELLO
And yet, how nature erring from itself –
IAGO
Ay, there’s the point: as, to be bold with you,
Not to affect many proposèd matches
Of her own clime, complexion, and degree,
Whereto we see in all things nature tends,
Foh! One may smell in such a will most rank,
Foul disproportion, thoughts unnatural.
But, pardon me, I do not in position
Distinctly speak of her, though I may fear
Her will, recoiling to her better judgement,
May fall to match you with her country forms,
And happily repent.
OTHELLO Farewell, farewell.
If more thou dost perceive, let me know more.
Set on thy wife to observe. Leave me, Iago.
IAGO
(going) My lord, I take my leave.
OTHELLO
Why did I marry? This honest creature doubtless
Sees and knows more, much more than he unfolds.
IAGO
(returning) My lord, I would I might entreat your honour
To scan this thing no farther. Leave it to time.
Although ’tis fit that Cassio have his place,
IB/G/Jun23/7716/1A
AS
ENGLISH LITERATURE B
Paper 1A Literary genres: Drama: Aspects of tragedy
Thursday 18 May 2023 Morning Time allowed: 1 hour 30 minutes
Materials
For this paper you must have:
• an AQA 12-page answer book.
Instructions
• Use black ink or black ball-point pen.
• Write the information required on the front of your answer book. The Paper Reference is 7716/1A.
• Do all rough work in your answer book. Cross through any work you do not want to be marked.
• You must answer one question from Section A and one question from Section B.
Information
• The maximum mark for this paper is 50.
• The marks for questions are shown in brackets.
• You will be marked on your ability to:
– use good English
– organise information clearly
– use specialist vocabulary where appropriate.
• In your response you need to:
– analyse carefully the writers’ methods
– explore the contexts of the texts you are writing about
– explore the connections across the texts you have studied
– explore different interpretations of your texts.
IB/G/Jun23/E8 7716/1A
, 2
Section A
Answer one question from this section.
Either
0 1 Othello – William Shakespeare
Explore the significance of aspects of dramatic tragedy in the following passage in
relation to the play as a whole.
You should consider the following in your answer:
• the presentation of Iago’s villainy
• Othello’s response to Iago’s manipulation
• other relevant aspects of dramatic tragedy.
[25 marks]
IAGO Cassio’s my worthy friend.
My lord, I see you’re moved.
OTHELLO No, not much moved.
I do not think but Desdemona’s honest.
IAGO
Long live she so! And long live you to think so!
OTHELLO
And yet, how nature erring from itself –
IAGO
Ay, there’s the point: as, to be bold with you,
Not to affect many proposèd matches
Of her own clime, complexion, and degree,
Whereto we see in all things nature tends,
Foh! One may smell in such a will most rank,
Foul disproportion, thoughts unnatural.
But, pardon me, I do not in position
Distinctly speak of her, though I may fear
Her will, recoiling to her better judgement,
May fall to match you with her country forms,
And happily repent.
OTHELLO Farewell, farewell.
If more thou dost perceive, let me know more.
Set on thy wife to observe. Leave me, Iago.
IAGO
(going) My lord, I take my leave.
OTHELLO
Why did I marry? This honest creature doubtless
Sees and knows more, much more than he unfolds.
IAGO
(returning) My lord, I would I might entreat your honour
To scan this thing no farther. Leave it to time.
Although ’tis fit that Cassio have his place,
IB/G/Jun23/7716/1A
