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AQA 7717-1B ENGLISH LITERATURE B-A LEVEL-May23-Paper 1B Literary genres: Aspects of comedy

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0 1 Othello – William Shakespeare Read the extract below and then answer the question. Explore the significance of this extract in relation to the tragedy of the play as a whole. Remember to include in your answer relevant analysis of Shakespeare’s dramatic methods. [25 marks] RODERIGO I would not follow him then. IAGO O, sir, content you: I follow him to serve my turn upon him. We cannot all be masters, nor all masters Cannot be truly followed. You shall mark Many a duteous and knee-crooking knave That, doting on his own obsequious bondage, Wears out his time, much like his master’s ass, For naught but provender, and when he’s old – cashiered! Whip me such honest knaves. Others there are Who, trimmed in forms and visages of duty, Keep yet their hearts attending on themselves, And, throwing but shows of service on their lords, Do well thrive by them; and when they have lined their coats, Do themselves homage: these fellows have some soul, And such a one do I profess myself. For, sir, It is as sure as you are Roderigo, Were I the Moor, I would not be Iago: In following him, I follow but myself. Heaven is my judge, not I for love and duty, But seeming so for my peculiar end: For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, ’tis not long after, But I will wear my heart upon my sleeve For daws to peck at – I am not what I am. RODERIGO What a full fortune does the thick-lips owe If he can carry’t thus! IAGO Call up her father, Rouse him, make after him, poison his delight, 3 IB/G/Jun23/7717/1A Turn over ► Proclaim him in the streets; incense her kinsmen, And, though he in a fertile climate dwell, Plague him with flies: though that his joy be joy, Yet throw such chances of vexation on’t, As it may lose some colour. RODERIGO Here is her father’s house; I’ll call aloud. IAGO Do, with like timorous accent and dire yell, As when, by night and negligence, the fire Is spied in populous cities. RODERIGO What, ho, Brabantio! Signor Brabantio, ho! IAGO Awake! What, ho, Brabantio! Thieves, thieves! Look to your house, your daughter, and your bags! Thieves, thieves! Enter Brabantio above, at a window (Act 1, Scene 1) Turn over for the next question 4 IB/G/Jun23/7717/1A or 0 2 King Lear – William Shakespeare Read the extract below and then answer the question. Explore the significance of this extract in relation to the tragedy of the play as a whole. Remember to include in your answer relevant analysis of Shakespeare’s dramatic methods. [25 marks] KENT Good my liege – LEAR Peace, Kent! Come not between the dragon and his wrath. I loved her most, and thought to set my rest On her kind nursery. (To Cordelia) Hence and avoid my sight! – So be my grave my peace as here I give Her father’s heart from her. Call France! Who stirs? Call Burgundy! Cornwall and Albany, With my two daughters’ dowers digest the thiS

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AQA
A-level
ENGLISH LITERATURE B
Paper 1B Literary genres: Aspects of comedy


Wednesday 24 May 2023 Afternoon Time allowed: 2 hours 30 minutes
Materials
For this paper you must have:
• an AQA 12-page answer book.

Instructions
• Use black ink or black ball-point pen.
• Write the information required on the front of your answer book. The Paper Reference is 7717/1B.
• Answer one question from Section A, one question from Section B and one question from
Section C.
• You may answer on the same Shakespeare play in Sections A and B.
• For Section C, you must write about two texts, at least one of which must be a pre-1900 drama text.
• Do all rough work in your answer book. Cross through any work you do not want to be marked.

Information
• The marks for questions are shown in brackets.
• The maximum mark for this paper is 75.
• You will be marked on your ability to:
– use good English
– organise information clearly
– use specialist vocabulary where appropriate.
• In your response you need to:
– analyse carefully the writers’ methods
– explore the contexts of the texts you are writing about
– explore connections across the texts you have studied
– explore different interpretations of your texts.




IB/G/Jun23/E4 7717/1B

, 2


Section A

Answer one question in this section.



Either

0 1 The Taming of the Shrew – William Shakespeare

Read the extract below and then answer the question.

Explore the significance of this extract in relation to the comedy of the play as a whole.

Remember to include in your answer relevant analysis of Shakespeare’s dramatic
methods.
[25 marks]


PETRUCHIO
Am I not wise?
KATHERINA Yes, keep you warm.
PETRUCHIO
Marry, so I mean, sweet Katherine, in thy bed.
And therefore, setting all this chat aside,
Thus in plain terms – your father hath consented
That you shall be my wife; your dowry ’greed on;
And will you, nill you, I will marry you.
Now, Kate, I am a husband for your turn,
For by this light whereby I see thy beauty,
Thy beauty that doth make me like thee well,
Thou must be married to no man but me.
For I am he am born to tame you, Kate,
And bring you from a wild Kate to a Kate
Conformable as other household Kates.
Enter Baptista, Gremio, and Tranio
Here comes your father. Never make denial;
I must and will have Katherine to my wife.
BAPTISTA
Now, Signor Petruchio, how speed you with my
daughter?
PETRUCHIO
How but well, sir? How but well?
It were impossible I should speed amiss.
BAPTISTA
Why, how now, daughter Katherine? In your dumps?
KATHERINA
Call you me daughter? Now I promise you
You have showed a tender fatherly regard
To wish me wed to one half lunatic,
A madcap ruffian and a swearing Jack,
That thinks with oaths to face the matter out.




IB/G/Jun23/7717/1B

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