REVIEWER IN PE 19. found throughout the islands and is a
well known kind of dance across the
1. Developed by people that reflect the life country.
of the people of a certain country or 20. Originated from Spain
region 21. commonly performed at formal affairs
2. An indigenous dance of any specific like inaugural balls where prominent
“folk” or the common people members of the government participate
3. They are traditional customary or and enjoy.
recreational dance forms of a given 22. a word that describes an affectionate,
country friendly and lovable woman
4. Came from tribes’rituals, prayers, and 23. This dance is performed in flirtatious
celebrations manner with fans and handkerchiefs to
5. Some places of _________ regions have assist the dancers, hide-and-seek
Spanish and European influence movements.
6. The oldest form of dance and the earliest 24. found in specific locality.
form of communication 25. is considered the national folkdance
7. It is the kind of dance that they with a pair of dancers hopping between
themselves have performed that is two bamboo poles held just above the
influenced by their beliefs, religion and ground and struck together in time to
tradition. Many of them were also music
influenced by 26. Originated from Leyte Province
the occupiers in their area. 27. this dance is in fact a mimic movement
8. __________region was inspired by of tikling birds, hopping over trees,
animal movements and shape by the grass stems or over bamboo traps set by
Muslim Culture. farmers
9. incorporates influences from immigrants 28. this dance is one of the most popular
and conquerors while at the same time dance in the Philippines and the favorite
maintaining distinctly Filipino roots in Batangas.
10. true reflection of daily life in past 29. This dance is simply ceremonial in
centuries while enchanting modern nature and this is performed
audiences at the same time. as homage to the Holy Cross
11. depict actions of a particular occupation 30. Dances reflects rituals which celebrate
12. associated with religion, vows and their daily lives - a good harvest, health,
ceremonies. (e.g. Dugsu, Sua-sua) peace, war, and other symbols of living
13. depict funny movements for 31. Dances reflects Christianity, and
entertainment. (e.g. Kinotan, European art and culture
Makonggo) 32. They are known for their mysticism,
14. done with play elements. (e.g. Lubi-lubi, royalty, and beauty which are evident in
Pavo) their music and dances
15. performed during wedding feasts. (e.g. 33. marked by intricate hand and arm
Panasahan) movement along with shimmering cost
16. depict the art of courtship. (e.g. Hele- 34. Also known as Ethnic dances
hele, Tadek, Pantomina) 35. There are dances which have managed
17. suitable for special occasions. (e.g. to steer clear of European influences and
Pandanggo, Habanera) to this day without visible foreign
18. show imagery combat. (e.g. Sagayan, characteristics
Palu-palo)
, 36. Reflects the simple life of the people in 53. There is ______, if any, bodily contact.
the barrio 54. Most of the dances are done by
37. Depicts common work, daily activities _________.
of the peasants. 55. ____ movements play an important part.
38. performed on top of a narrow bench 56. Most dances are in ____ formation.
39. Dancers need good balance as they go 57. Most dances begin and end with
through a series of movements that _______
include some impressive acrobatics 58. Dances from the ______ have more
40. This dance traces its roots back to the foreign elements those found in the
areas of Pangapisan, Lingayen and uplands
Pangasinan 59. __________ are found among non-
41. mimetic folk dance in The Philippines Christian tribes.
42. It originated in the province of Surigao 60. means Polka in the Village.
in Mindanao 61. It was popular and originated in the
43. the dance steps imitate the movements Province of Batangas in the Spanish
of ducks among rice paddies and time
swamplands, such as wading, flying, 62. . It was usually danced during town
and short, choppy steps. Fiestas and big social gatherings
44. a courtship dance that portrays acts of 63. The dance may be performed by a group
flirtation between a man and a woman of four or in scattered position when it is
45. The dancers perform steps resembling done inside the ballroom
hide-and-seek movements and and peek 64. 3 basic dance steps in polka sa nayon
out at one another.
46. The essence of the dance is the courtship
between two sweethearts.
47. similar to a Spanish Fandango, but
performed while balancing three oil
lamps – one on the head, and one in
each hand.
48. It’s a lively dance that originated on
Lubang Island
49. The music is in 3/4 time and is usually
accompanied by castanets.
50. a dance originating from Lanao del Sur,
Mindanao is said to be a dance of
Muslim royalty.
51. To the rhythmic clapping of bamboo
poles, the dancers weave expertly
through crisscrossed bamboos, the ladies
dressed in elegant Muslim costumes
waving great big fans, the men flipping
brightly colored handkerchiefs right and
leftThe dancers wearing solemn faces
and maintaining a dignified pose being
dancing at a slow pace which soon
progresses to a faster tempo
52. In general, dancers stand ________.
well known kind of dance across the
1. Developed by people that reflect the life country.
of the people of a certain country or 20. Originated from Spain
region 21. commonly performed at formal affairs
2. An indigenous dance of any specific like inaugural balls where prominent
“folk” or the common people members of the government participate
3. They are traditional customary or and enjoy.
recreational dance forms of a given 22. a word that describes an affectionate,
country friendly and lovable woman
4. Came from tribes’rituals, prayers, and 23. This dance is performed in flirtatious
celebrations manner with fans and handkerchiefs to
5. Some places of _________ regions have assist the dancers, hide-and-seek
Spanish and European influence movements.
6. The oldest form of dance and the earliest 24. found in specific locality.
form of communication 25. is considered the national folkdance
7. It is the kind of dance that they with a pair of dancers hopping between
themselves have performed that is two bamboo poles held just above the
influenced by their beliefs, religion and ground and struck together in time to
tradition. Many of them were also music
influenced by 26. Originated from Leyte Province
the occupiers in their area. 27. this dance is in fact a mimic movement
8. __________region was inspired by of tikling birds, hopping over trees,
animal movements and shape by the grass stems or over bamboo traps set by
Muslim Culture. farmers
9. incorporates influences from immigrants 28. this dance is one of the most popular
and conquerors while at the same time dance in the Philippines and the favorite
maintaining distinctly Filipino roots in Batangas.
10. true reflection of daily life in past 29. This dance is simply ceremonial in
centuries while enchanting modern nature and this is performed
audiences at the same time. as homage to the Holy Cross
11. depict actions of a particular occupation 30. Dances reflects rituals which celebrate
12. associated with religion, vows and their daily lives - a good harvest, health,
ceremonies. (e.g. Dugsu, Sua-sua) peace, war, and other symbols of living
13. depict funny movements for 31. Dances reflects Christianity, and
entertainment. (e.g. Kinotan, European art and culture
Makonggo) 32. They are known for their mysticism,
14. done with play elements. (e.g. Lubi-lubi, royalty, and beauty which are evident in
Pavo) their music and dances
15. performed during wedding feasts. (e.g. 33. marked by intricate hand and arm
Panasahan) movement along with shimmering cost
16. depict the art of courtship. (e.g. Hele- 34. Also known as Ethnic dances
hele, Tadek, Pantomina) 35. There are dances which have managed
17. suitable for special occasions. (e.g. to steer clear of European influences and
Pandanggo, Habanera) to this day without visible foreign
18. show imagery combat. (e.g. Sagayan, characteristics
Palu-palo)
, 36. Reflects the simple life of the people in 53. There is ______, if any, bodily contact.
the barrio 54. Most of the dances are done by
37. Depicts common work, daily activities _________.
of the peasants. 55. ____ movements play an important part.
38. performed on top of a narrow bench 56. Most dances are in ____ formation.
39. Dancers need good balance as they go 57. Most dances begin and end with
through a series of movements that _______
include some impressive acrobatics 58. Dances from the ______ have more
40. This dance traces its roots back to the foreign elements those found in the
areas of Pangapisan, Lingayen and uplands
Pangasinan 59. __________ are found among non-
41. mimetic folk dance in The Philippines Christian tribes.
42. It originated in the province of Surigao 60. means Polka in the Village.
in Mindanao 61. It was popular and originated in the
43. the dance steps imitate the movements Province of Batangas in the Spanish
of ducks among rice paddies and time
swamplands, such as wading, flying, 62. . It was usually danced during town
and short, choppy steps. Fiestas and big social gatherings
44. a courtship dance that portrays acts of 63. The dance may be performed by a group
flirtation between a man and a woman of four or in scattered position when it is
45. The dancers perform steps resembling done inside the ballroom
hide-and-seek movements and and peek 64. 3 basic dance steps in polka sa nayon
out at one another.
46. The essence of the dance is the courtship
between two sweethearts.
47. similar to a Spanish Fandango, but
performed while balancing three oil
lamps – one on the head, and one in
each hand.
48. It’s a lively dance that originated on
Lubang Island
49. The music is in 3/4 time and is usually
accompanied by castanets.
50. a dance originating from Lanao del Sur,
Mindanao is said to be a dance of
Muslim royalty.
51. To the rhythmic clapping of bamboo
poles, the dancers weave expertly
through crisscrossed bamboos, the ladies
dressed in elegant Muslim costumes
waving great big fans, the men flipping
brightly colored handkerchiefs right and
leftThe dancers wearing solemn faces
and maintaining a dignified pose being
dancing at a slow pace which soon
progresses to a faster tempo
52. In general, dancers stand ________.
