Rated A
Act One ✔✔Act one focuses on the introduction and history of the characters, setting and the
plot of the play. It is centered in Salem Massachusetts, 1692. The play opens with a scene located
in a room of Reverend Samuel Parris' home where one can see Parris kneeling on the bed while
his daughter, Betty, lies on the bed, ill in appearance. Tituba, their Barbados slave, is there as
well, fearful of the outcome of poor Betty. Parris asks that she leave as we make apparent of
Abigail Williams, his niece and young Susanna Walcott. Susanna acts a messenger to Doctor
Griggs, who Parris hopes is able to track and find a solution to the illness that had struck Betty.
Susanna brings nothing but bad news, as she admits to the Doctor being unable to find a cure for
his daughter, adding on that there could have been an unnatural cause to her illness. Parris makes
nothing of it and asks that she leaves. Out of suspicion, Parris begins to re-examine Abigail and
an event in which had taken place a night before. Abigail and a few of the girls, including Betty,
daughter to Putnam Ruth, and slave Tituba had been seen by Parris dancing around a bon fire in
which Tituba had been raising her hands in front of. Parris claimed to have seen them singing
and dancing around the fire and may have seen one doing so, but naked. With this, in relevance
to the illness, Parris questions Abigail on what they were doing and asks that she admits to
anything that may have resulted in Betty's illness. He hopes that if it did have something to do
with unnatural causes, such as witchcraft, that Abigail admits to it before those against Parris
hear of it first and ruin him, but Abigail only admits to the dancing and singing. Then, Parris
begins to question her on her leave from the Proctors (John and Elizabeth Proctor) which in
reply, Abigail admits to the wife hating her for not wanting to be her slave. Mr and Mrs. Putnam
, then arrive, searching for Tituba, as they claim that she is able to contact the dead, in hope that
they can use her to contact their dead children. This then has Abigail admitting to Tituba and
Ruth, daughter to Mr and Mrs. Putnam, conjuring the spirits that night of the song and dance.
Parris then heads downstairs in hopes to praise the people waiting for him, where one notices
that Betty is able to move and speak, while crying and whaling asking for her mother. Betty then
reveals that Abigail had drank blood in order to put a cursed charm that would have killed
Elizabeth Proctor. Abigail threatens to hurt Betty and the other girls if they admit to something
other than the story she provided. By now, John Proctor is also introduced into the play, as the
farmer who both has a conflict with Mr. Putnam as well as a conflict with Abigail Williams. Mr.
Putnam and John Proctor are seen disputing over land that was not properly distributed. It is also
evident in this act that John had committed adultery, as he had cheated on his wife, Elizabeth,
with Abigail who seems to wish that he were still in for the ride. Rebecca Nurse is also
introduced in this act as a humble wife to Francis Nurse who is treated highly, which much
respect. Giles Corey is also introduced in this act who reveals that John Proctor does not believe
in witches. Reverend Hale is lastly introduced as he comes in to examine Betty and her illness,
which by then is seen that the Putnam's have come for a similar request, in hopes that afterward,
Reverend Hale could come and examine their daughter as well. Reverend Hale begins to
question Abigail on the night of song and dance, which then leads to Abigail admitting that
Tituba had been conjuring spirits, calling the Devil and asking that Abigail drink blood. This
then leads to Tituba's emotions of distraught and betrayal at Abigail's accusations. Tituba then
admits to having the devil come to her, which then gets Tituba to accusing Sarah Good of being
seen with the Devil - directly admitting Sarah to be a witch. Because of this declaration, Hale
asked that she admits to anyone else that she had seen with the Devil, which allows Abigail the