Music Content Praxis (5113) Technology Exam With 100% Correct Answers 2024.

Music Content Praxis (5113) Technology Exam With 100% Correct Answers 2024. DAW (Digital Audio Workstation) Computer based recording, sequencing, and mixing tool for the modern musician. It includes the computer, the digital audio software, a digital audio interface, optional plug-ins, digital signal processing, and possibly additional digital audio interfaces. MOTU Digital Performer one of the oldest DAWs around and is compatible with both mac and windows Avid Pro Tools popular DAW software and has become standard in recording studios and home studios as well Apple Logic Pro one of the top DAWs and provides a wealth of interface options but is only compatible with Apple Products. FL Studio Classic DAW for creating loop- and sample based music Ableton Live one of the best live recording DAWs and offers many third-party hardware options made especially for the program Cardioid Microphone designed to pick up from the front and sides and pick up little to no sound in the rear. Very Versatile Supercardiod Micorphone (Shotgun) Used Primarily to pick up sounds from a distance. Very tight pickup pattern and high directional. Mostly used in broadcast and film recording work. Bi-Directional Microphone (Figure of 8) Pick up sound from the front and rear but not from the sides. They are mostly used when making stereo recordings or when doing across the table interviews Hypercardioid Microphone Similar to Cardioid but the response from the sides is less, which makes it more directional. Used when isolation of sound sources is important. They are less sensitive to off-axis sounds and will not pick up near-by sources as easily. Due to their more directional nature, they are less likely to pick up feedback. Omnidirectional microphone Pick up sound equally from all directions. They produce a very natural sound and does not have to be aimed specifically. This is more useful when the sound source is moving around. Lavalier microphones are this type of microphone. Undesired sound sources may be picked up with this microphone though. When music license is necessary or unnecessary for student recordings Under the 1976 copyright act, music teachers are exempt from copyright recording laws only if they make a single copy of a student performance of a copyrighted work for educational purposes or documentation. A licensing fee is required for each copy of the recording that is duplicated and distributed. The licensee must pay a fee to the copyright holder of 9.1 cent per song that is five minutes or shorter or 1.75 cents fro every minute or fraction that exceeds five minutes. Ideal features of a classroom computer for music use helps to reinforce lesson materials, provide launching pad for mu