Pro Tools 101 V12 Exam Questions with 100% Correct
Answers Graded A+
++++++++NOTICE+++++++++
- This quizlet includes all Pro Tools 101 course (Version 12) review questions
- The Pro Tools shortcuts presented in this quizlet are for Mac OS X only (might update
and include WIN if I have time :)
- Certain shortcuts (E.g. memory recall functions, nudging etc.) require a numeric
keyboard
- Certain features require Pro Tools HD/HDX
- No guarantee of 100% accuracy
Joe ==||> http://mixing.blog <||==
Name and describe five types of production tasks that Pro Tools can be used for.
(See "What Is Pro Tools?" beginning on page 4.)
Audio (record and edit - cut, copy, move, delete, paste - audio in many ways), MIDI
(record & edit MIDI data), Notation (view, edit, arrange and print midi score) Mixing
(signal routing, leveling, effects processing, panning etc.) & Post-Production (video
capabilities and display for creating sound effects, music, foley and dialog etc.)
What types of products does the AIR Software Group specialize in? What
contribution from the AIR group is included with Pro Tools? (See "Expansion of
Avid Audio" beginning on page 9.)
The AIR Software Group specialise in developing virtual instruments and effects plug-
ins. The AIR Software group provided the AIR Creative Collection, which is included in
Pro Tools.
What is the frequency range of human hearing? (See "Basic Parameters of
Sound: Waveform, Frequency, and Amplitude" beginning on page 13.)
The frequency range of human hearing is 20 Hz to 20000 Hz.
What does the frequency of a sound wave affect in terms of how we perceive the
sound? How is frequency measured? (See "Basic Parameters of Sound:
Waveform, Frequency, and Amplitude" beginning on page 13.)
The frequency of the sound pressure variations that reaches our ears creates our
perception of the pitch of the sound.
What does the amplitude of the sound wave affect? How is amplitude measured?
(See "Basic Parameters of Sound: Waveform, Frequency, and Amplitude"
beginning on page 13.)
As the amplitude of pressure variations increases, the sound becomes louder.
Amplitude is measured in decibels (dB).
How does the sample rate of a system relate to the frequency of audio it can
capture? What is the name of the law that specifies the relationship between
,sample rate and audio frequency? (See "How Sample Rate Affects Frequency
Resolution" beginning on page 14.)
A systems sampling rate must be twice the highest frequency it needs to capture. The
theory is often referred to as Nyquist Theorem or Sampling Theorem.
How does the bit depth of a system relate to the dynamic range of audio it can
capture? How can you estimate the dynamic range of a system? (See "How Bit
Depth Affects Amplitude Resolution" beginning on page 14.)
The more bit depth the more dynamic range the system can capture. Multiplying bit
depth by 6 can estimate the dynamic range available in dB. (6x16 bit = 96dB dynamic
range)
What are some common digital connections available on Pro Tools audio
interfaces? What type of connector jack does each use? (See "Recording in
Digital Format" on page 15.)
Common digital connections include S/PDIF - Sony/Philips Digital Interface - (Using
RCA Jacks aka coaxial Jacks) and AES/EBU (Using XLR-type connectors).
Name some audio interfaces that are compatible with standard Pro Tools
software. (See "Audio Interface Options (Non-HD)" beginning on page 16.)
Audio interfaces available for Pro Tools|First and standard Pro Tools software include
the Pro Tools|Fast Track family, the Pro Tools|Mbox family, the Pro Tools|Eleven Rack,
the Pro Tools|Duet and Quartet, and various third party options.
Name some audio interfaces that are compatible with Pro Tools HD software. (See
"Pro Tools 1 HD - Series Audio Interfaces" beginning on page 19.)
Pro Tools HD/HDX system require at least one HD-series audio interface to be
connected in order to run. Pro Tools HD Compatible interfaces include HD OMNI, HD
I/O and HD MADI.
Name some of the folders and files that Pro Tools creates as part of the session
hierarchy. Where is the session file (.ptx) stored? (See "Session Components"
beginning on page 29.)
Pro Tools generates a session file inside a session folder of the same name (.ptx
extension). Further Pro Tools generates a wavecache file (.wfm extension) saved in the
session folder. Audio files are stored in the corresponding sessions' audio files folder.
MIDI data is stored within the session file (unless exported, subsequently .mid
extension). Sibelius files can be exported an recognized by their .sib extension.
Bounced files are saved in the bounced files folder (Folder remains empty and will be
removed if no audio was bounced). Clip groups folder will remain only when clip groups
are exported from the session. Rendered files: when users render elastic audio
processing Pro Tools creates temporary files for the audio on the affected tracks. When
commited the temporary files are written in the audio files folder.
What is the WaveCache.wfm file used for? What happens if the WaveCache file
gets deleted or goes missing? (See "WaveCache File" beginning on page 29.)
Pro Tools generates the wavecache (.wfm extension) to generate a representation of
the sessions audio waveforms in order to save time when opening a session. Deleting
the file does not corrupt the session, however Pro Tools will need longer time
recalculating the waveform graphics.
Where are audio files stored in the session hierarchy? (See "Audio Files"
beginning on page 29.)
, Audio files are stored in the session folders audio files folder.
Where are Pro Tools' MIDI files normally stored? (See "MIDI Files" beginning on
page 29.)
MIDI files are stored within the session file in the session folder. However users can
export the MIDI files, which will then become available as .mid files.
Which component should you turn on first when powering up a Pro Tools
system? Which component should you turn on last? (See "Powering Up Your
Hardware" beginning on page 30.)
Powering up should be done in followng sequence: 1. Making sure everything is OFF. 2.
Turning ON external HDs that use external power. 3. Turn ON MIDI interfaces and
devices. 4. Turn ON Audio Interface (If not bus powered). 5. Turn ON Computer. 6. Turn
on Audio Monitoring System.
What type of processing does the Hardware Buffer Size affect? What type of
processing does it not affect? (See "Hardware Buffer Size" beginning on page
33.)
The H/W Buffer size controls the host-based size of the low-latency buffer (Host-based
plug-in processing). Lower = reduced latency but higher resource usage. Higher = more
latency but less cpu usage. The H/W buffer size does not affect DSP processing on
hardware accelerated systems (e.g. HDX Cards)
What kinds of commands can be found under the Pro Tools View menu? How
does the View menu differ from the Window menu? (See "The Menu Structure"
beginning on page 34.)
View menu commands affect what elements are displayed within Pro Tools windows,
tracks, and clips. Most view menu commands show or hide parts of the main Pro Tools
windows. Commands in the view menu affect parts of a window or change how the
elements within a window are displayed, whereas window menu commands show or
hide entire windows.
What kinds of commands can be found under the Pro Tools Options menu? How
does the Options menu differ from the Setup menu? (See "The Menu Structure"
beginning on page 34.)
The options menu lets you toggle several editing, recording, monitoring, playback and
display options. The setup menu lets you configure various Pro Tools hardware and
software parameters using dialog boxes. (Choices in a setup menu allow configuration
of multiple settings)
Which main Pro Tools window displays audio waveforms and can be used to
work directly with audio, MIDI, and video files on tracks? (See "Main Pro Tools
Windows" beginning on page 35.)
Edit Window. The edit window provides a timeline display of audio, MIDI data, video,
and mixer automation for recording, editing, and arranging tracks.
Which Pro Tools window provides access to Pan controls and Volume Faders for
each track? (Sec "Main Pro Tools Windows" beginning on page 35.)
Mix Window. The mix window provides a mixer-like environment for recording and
mixing audio.
What icon is used for the Zoomer tool in the Edit window? How can you use this
tool to quickly zoom out to fill the Edit window with the longest track in the
session? (Sec "Zoomer Tool" beginning on page 45.)
Answers Graded A+
++++++++NOTICE+++++++++
- This quizlet includes all Pro Tools 101 course (Version 12) review questions
- The Pro Tools shortcuts presented in this quizlet are for Mac OS X only (might update
and include WIN if I have time :)
- Certain shortcuts (E.g. memory recall functions, nudging etc.) require a numeric
keyboard
- Certain features require Pro Tools HD/HDX
- No guarantee of 100% accuracy
Joe ==||> http://mixing.blog <||==
Name and describe five types of production tasks that Pro Tools can be used for.
(See "What Is Pro Tools?" beginning on page 4.)
Audio (record and edit - cut, copy, move, delete, paste - audio in many ways), MIDI
(record & edit MIDI data), Notation (view, edit, arrange and print midi score) Mixing
(signal routing, leveling, effects processing, panning etc.) & Post-Production (video
capabilities and display for creating sound effects, music, foley and dialog etc.)
What types of products does the AIR Software Group specialize in? What
contribution from the AIR group is included with Pro Tools? (See "Expansion of
Avid Audio" beginning on page 9.)
The AIR Software Group specialise in developing virtual instruments and effects plug-
ins. The AIR Software group provided the AIR Creative Collection, which is included in
Pro Tools.
What is the frequency range of human hearing? (See "Basic Parameters of
Sound: Waveform, Frequency, and Amplitude" beginning on page 13.)
The frequency range of human hearing is 20 Hz to 20000 Hz.
What does the frequency of a sound wave affect in terms of how we perceive the
sound? How is frequency measured? (See "Basic Parameters of Sound:
Waveform, Frequency, and Amplitude" beginning on page 13.)
The frequency of the sound pressure variations that reaches our ears creates our
perception of the pitch of the sound.
What does the amplitude of the sound wave affect? How is amplitude measured?
(See "Basic Parameters of Sound: Waveform, Frequency, and Amplitude"
beginning on page 13.)
As the amplitude of pressure variations increases, the sound becomes louder.
Amplitude is measured in decibels (dB).
How does the sample rate of a system relate to the frequency of audio it can
capture? What is the name of the law that specifies the relationship between
,sample rate and audio frequency? (See "How Sample Rate Affects Frequency
Resolution" beginning on page 14.)
A systems sampling rate must be twice the highest frequency it needs to capture. The
theory is often referred to as Nyquist Theorem or Sampling Theorem.
How does the bit depth of a system relate to the dynamic range of audio it can
capture? How can you estimate the dynamic range of a system? (See "How Bit
Depth Affects Amplitude Resolution" beginning on page 14.)
The more bit depth the more dynamic range the system can capture. Multiplying bit
depth by 6 can estimate the dynamic range available in dB. (6x16 bit = 96dB dynamic
range)
What are some common digital connections available on Pro Tools audio
interfaces? What type of connector jack does each use? (See "Recording in
Digital Format" on page 15.)
Common digital connections include S/PDIF - Sony/Philips Digital Interface - (Using
RCA Jacks aka coaxial Jacks) and AES/EBU (Using XLR-type connectors).
Name some audio interfaces that are compatible with standard Pro Tools
software. (See "Audio Interface Options (Non-HD)" beginning on page 16.)
Audio interfaces available for Pro Tools|First and standard Pro Tools software include
the Pro Tools|Fast Track family, the Pro Tools|Mbox family, the Pro Tools|Eleven Rack,
the Pro Tools|Duet and Quartet, and various third party options.
Name some audio interfaces that are compatible with Pro Tools HD software. (See
"Pro Tools 1 HD - Series Audio Interfaces" beginning on page 19.)
Pro Tools HD/HDX system require at least one HD-series audio interface to be
connected in order to run. Pro Tools HD Compatible interfaces include HD OMNI, HD
I/O and HD MADI.
Name some of the folders and files that Pro Tools creates as part of the session
hierarchy. Where is the session file (.ptx) stored? (See "Session Components"
beginning on page 29.)
Pro Tools generates a session file inside a session folder of the same name (.ptx
extension). Further Pro Tools generates a wavecache file (.wfm extension) saved in the
session folder. Audio files are stored in the corresponding sessions' audio files folder.
MIDI data is stored within the session file (unless exported, subsequently .mid
extension). Sibelius files can be exported an recognized by their .sib extension.
Bounced files are saved in the bounced files folder (Folder remains empty and will be
removed if no audio was bounced). Clip groups folder will remain only when clip groups
are exported from the session. Rendered files: when users render elastic audio
processing Pro Tools creates temporary files for the audio on the affected tracks. When
commited the temporary files are written in the audio files folder.
What is the WaveCache.wfm file used for? What happens if the WaveCache file
gets deleted or goes missing? (See "WaveCache File" beginning on page 29.)
Pro Tools generates the wavecache (.wfm extension) to generate a representation of
the sessions audio waveforms in order to save time when opening a session. Deleting
the file does not corrupt the session, however Pro Tools will need longer time
recalculating the waveform graphics.
Where are audio files stored in the session hierarchy? (See "Audio Files"
beginning on page 29.)
, Audio files are stored in the session folders audio files folder.
Where are Pro Tools' MIDI files normally stored? (See "MIDI Files" beginning on
page 29.)
MIDI files are stored within the session file in the session folder. However users can
export the MIDI files, which will then become available as .mid files.
Which component should you turn on first when powering up a Pro Tools
system? Which component should you turn on last? (See "Powering Up Your
Hardware" beginning on page 30.)
Powering up should be done in followng sequence: 1. Making sure everything is OFF. 2.
Turning ON external HDs that use external power. 3. Turn ON MIDI interfaces and
devices. 4. Turn ON Audio Interface (If not bus powered). 5. Turn ON Computer. 6. Turn
on Audio Monitoring System.
What type of processing does the Hardware Buffer Size affect? What type of
processing does it not affect? (See "Hardware Buffer Size" beginning on page
33.)
The H/W Buffer size controls the host-based size of the low-latency buffer (Host-based
plug-in processing). Lower = reduced latency but higher resource usage. Higher = more
latency but less cpu usage. The H/W buffer size does not affect DSP processing on
hardware accelerated systems (e.g. HDX Cards)
What kinds of commands can be found under the Pro Tools View menu? How
does the View menu differ from the Window menu? (See "The Menu Structure"
beginning on page 34.)
View menu commands affect what elements are displayed within Pro Tools windows,
tracks, and clips. Most view menu commands show or hide parts of the main Pro Tools
windows. Commands in the view menu affect parts of a window or change how the
elements within a window are displayed, whereas window menu commands show or
hide entire windows.
What kinds of commands can be found under the Pro Tools Options menu? How
does the Options menu differ from the Setup menu? (See "The Menu Structure"
beginning on page 34.)
The options menu lets you toggle several editing, recording, monitoring, playback and
display options. The setup menu lets you configure various Pro Tools hardware and
software parameters using dialog boxes. (Choices in a setup menu allow configuration
of multiple settings)
Which main Pro Tools window displays audio waveforms and can be used to
work directly with audio, MIDI, and video files on tracks? (See "Main Pro Tools
Windows" beginning on page 35.)
Edit Window. The edit window provides a timeline display of audio, MIDI data, video,
and mixer automation for recording, editing, and arranging tracks.
Which Pro Tools window provides access to Pan controls and Volume Faders for
each track? (Sec "Main Pro Tools Windows" beginning on page 35.)
Mix Window. The mix window provides a mixer-like environment for recording and
mixing audio.
What icon is used for the Zoomer tool in the Edit window? How can you use this
tool to quickly zoom out to fill the Edit window with the longest track in the
session? (Sec "Zoomer Tool" beginning on page 45.)
