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AQA-7716-1A-ENGLISH LITERATURE B QUESTION PAPER1A:Literary genres: Drama: Aspects of tragedy-AS LEVEL-16May24

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AQA-7716-1A-ENGLISH LITERATURE B QUESTION PAPER1A:Literary genres: Drama: Aspects of tragedy-AS LEVEL-16May24. Section A Answer one question from this section. Either 0 1 Othello – William Shakespeare Explore the significance of aspects of dramatic tragedy in the following passage in relation to the play as a whole. You should consider the following in your answer: • the presentation of Iago’s villainy • the interaction between Othello and Desdemona • other relevant aspects of dramatic tragedy. [25 marks] IAGO (aside) He takes her by the palm. Ay, well said, whisper. With as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do. I will gyve thee in thine own courtship. You say true, ’tis so indeed. If such tricks as these strip you out of your lieutenantry, it had been better you had not kissed your three fingers so oft, which now again you are most apt to play the sir in. Very good: well kissed, an excellent courtesy! ’Tis so indeed. Yet again your fingers to your lips? Would they were clyster-pipes for your sake! Trumpet (Aloud) The Moor! I know his trumpet. CASSIO ’Tis truly so. DESDEMONA Let’s meet him and receive him. CASSIO Lo, where he comes! Enter Othello and attendants OTHELLO O, my fair warrior! DESDEMONA My dear Othello! OTHELLO It gives me wonder great as my content To see you here before me. O, my soul’s joy! If after every tempest come such calms, May the winds blow till they have wakened death, And let the labouring bark climb hills of seas, Olympus-high, and duck again as low As hell’s from heaven. If it were now to die, ’Twere now to be most happy; for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate. 000002 Page 2 of 8 ENGLISH LANGUAGE AND LITERATURE B 3 IB/G/Jun24/7716/1A Turn over ► DESDEMONA The heavens forbid But that our loves and comforts should increase, Even as our days do grow. OTHELLO Amen to that, sweet Powers! I cannot speak enough of this content; It stops me here; it is too much of joy. They kiss And this, and this the greatest discords be That e’er our hearts shall make. IAGO (aside) O, you are well tuned now! But I’ll set down the pegs that make this music, As honest as I am.

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000001




AQA
AS
ENGLISH LITERATURE B




B
Paper 1A Literary genres: Drama: Aspects of tragedy




E
R
Thursday 16 May 2024 Morning Time allowed: 1 hour 30 minutes




TU
Materials




A
For this paper you must have:
• an AQA 12-page answer book.




R
TE
Instructions
• Use black ink or black ball-point pen.


LI
• Write the information required on the front of your answer book. The Paper Reference is 7716/1A.
• Do all rough work in your answer book. Cross through any work you do not want to be marked.
D
• You must answer one question from Section A and one question from Section B.
N

Information
A


• The maximum mark for this paper is 50.
• The marks for questions are shown in brackets.
E



• You will be marked on your ability to:
G




– use good English
A




– organise information clearly
U




– use specialist vocabulary where appropriate.
• In your response you need to:
G




– analyse carefully the writers’ methods
N




– explore the contexts of the texts you are writing about
LA




– explore the connections across the texts you have studied
– explore different interpretations of your texts.
SH
LI
G
EN




IB/G/Jun24/G4001/E4 7716/1A
Page 1 of 8

, 000002

2


Section A

Answer one question from this section.


Either

0 1 Othello – William Shakespeare

Explore the significance of aspects of dramatic tragedy in the following passage in




B
relation to the play as a whole.




E
You should consider the following in your answer:




R
TU
• the presentation of Iago’s villainy
• the interaction between Othello and Desdemona
• other relevant aspects of dramatic tragedy.




A
[25 marks]




R
TE
IAGO (aside) He takes her by the palm. Ay, well said,
whisper. With as little a web as this will I ensnare as

LI
great a fly as Cassio. Ay, smile upon her, do. I will
gyve thee in thine own courtship. You say true, ’tis so
D
indeed. If such tricks as these strip you out of your
N
lieutenantry, it had been better you had not kissed your
A

three fingers so oft, which now again you are most apt
to play the sir in. Very good: well kissed, an excellent
E



courtesy! ’Tis so indeed. Yet again your fingers to your
G




lips? Would they were clyster-pipes for your sake!
Trumpet
A




(Aloud) The Moor! I know his trumpet.
U




CASSIO ’Tis truly so.
G




DESDEMONA
Let’s meet him and receive him.
N




CASSIO Lo, where he comes!
LA




Enter Othello and attendants
OTHELLO
O, my fair warrior!
SH




DESDEMONA My dear Othello!
OTHELLO
It gives me wonder great as my content
LI




To see you here before me. O, my soul’s joy!
G




If after every tempest come such calms,
May the winds blow till they have wakened death,
EN




And let the labouring bark climb hills of seas,
Olympus-high, and duck again as low
As hell’s from heaven. If it were now to die,
’Twere now to be most happy; for I fear
My soul hath her content so absolute
That not another comfort like to this
Succeeds in unknown fate.




IB/G/Jun24/7716/1A
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