AQA
AS
ENGLISH LITERATURE B
Paper 2A Literary genres: Prose and Poetry: Aspects of tragedy
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Friday 24 May 2024 Morning Time allowed: 1 hour 30 minutes
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Materials
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For this paper you must have:
• an AQA 12-page answer book
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• a copy of the set text(s) you have studied. These texts must not be annotated and must not
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contain additional notes or materials.
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Instructions
• Use black ink or black ball-point pen.
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• Write the information required on the front of your answer book. The Paper Reference is 7716/2A.
•
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Do all rough work in your answer book. Cross through any work you do not want to be marked.
• You must answer one question from Section A and one question from Section B.
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Information
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• The maximum mark for this paper is 50.
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• The marks for questions are shown in brackets.
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• You will be marked on your ability to:
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– use good English
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– organise information clearly
– use specialist vocabulary where appropriate.
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• In your response you need to:
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– analyse carefully the writers’ methods
– explore the contexts of the texts you are writing about
– explore the connections across the texts you have studied
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– explore different interpretations of your texts.
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IB/G/Jun24/G4001/E3 7716/2A
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2
Section A
Answer one question from this section.
Either
0 1 John Keats selection
Explore the significance of the openings of Keats’ poems to the tragic experiences that
follow.
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You must refer to Isabella; or, The Pot of Basil and at least one other poem.
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In your answer you need to analyse closely Keats’ authorial methods and include
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comments on the extract below.
[25 marks]
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From Isabella; or, The Pot of Basil
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Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love’s eye!
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They could not in the self-same mansion dwell
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Without some stir of heart, some malady;
They could not sit at meals but feel how well
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It soothed each to be the other by;
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They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.
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With every morn their love grew tenderer,
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With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
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But her full shape would all his seeing fill;
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And his continual voice was pleasanter
To her than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
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She spoilt her half-done broidery with the same.
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He knew whose gentle hand was at the latch
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Before the door had given her to his eyes;
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And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turned to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.
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