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AQA-7716-1A-ENGLISH LITERATURE B FINAL MARK SCHEME PAPER 1A:Literary genres: Drama: Aspects of tragedy-Jun24

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AQA-7716-1A-ENGLISH LITERATURE B FINAL MARK SCHEME PAPER 1A:Literary genres: Drama: Aspects of tragedy-Jun24 0 1 Othello – William Shakespeare Explore the significance of aspects of dramatic tragedy in the following passage in relation to the play as a whole. You should consider the following in your answer: • the presentation of Iago’s villainy • the interaction between Othello and Desdemona • other relevant aspects of dramatic tragedy. [25 marks] Some possible content is given below. It suggests some of the ways the Assessment Objectives might be addressed, but as ‘significance’ relates to contextual, structural, linguistic and interpretative issues some strands listed could easily address more than one AO. Examiners must also remember that because students have read and studied Othello through the lens of tragedy, the AOs must necessarily be connected to that genre through the task. The students are given an extract so when working on that they should quote directly to support their ideas. This is a closed book exam, so while it is expected that students will use quotations when writing about other parts of the play it is also legitimate to make more general reference. Please refer to pages 4–8. AO5 Explore literary texts informed by different interpretations With respect to interpretative significances that can be found, there will be a variety of interpretations here in relation to readers and audiences. Some students might comment on the choices made by directors. Some possible ideas: • the tragic trajectory of the extract: from Iago’s aside observing the flirtatious behaviour of Cassio and Desdemona to Othello’s arrival at Cyprus having defeated the Turks, underscoring his heroic attributes; the intensely joyful delight as Desdemona and Othello are reunited and Othello’s speech marking the celebratory mood, about to be dreadfully reversed; further development of Iago’s villainy as he sees a potential opportunity to incriminate Cassio in the aside; the extravagant exchanges from Othello and Desdemona affirming their love and their sealing it with a kiss in front of the onlookers; Iago undermining their love by his menacing aside to ‘set down the pegs that make this music’; Othello signalling a mood of peaceful celebration that has portentous tragic irony for the audience • the contextualisation of the extract: before the extract, Desdemona’s and Iago’s witty exchange about the role of women while they await Othello’s arrival; after the extract, Iago’s manipulation of Roderigo by suggesting that Desdemona does not truly love Othello and is more interested in Cassio • the viciousness and malice of Iago in his intention to ‘ensnare’ Cassio • the use of the aside at the start and end of the extract to present Iago’s villainy – which remains hidden to the characters but is apparent to the audience • the presentation of Iago’s villainy in its early stages as the plan is beginning to be formed • Iago’s unsettling isolation from the rest of the characters as he delivers his aside • Iago’s sinister malice as a contrast to the way he presents to other characters • the use of Iago’s lines to provide stage directions for what Cassio and Desdemona are doing as he comments on it

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AQA MARK SCHEME


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ENGLISH LITERATURE B




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Paper 1A Literary genres: Drama: Aspects of tragedy




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Mark scheme




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June 2024
Version: 1.0 Final
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MARK SCHEME – AS ENGLISH LITERATURE B – 7716/1A – JUNE 2024



Mark schemes are prepared by the Lead Assessment Writer and considered, together with the relevant
questions, by a panel of subject teachers. This mark scheme includes any amendments made at the
standardisation events which all associates participate in and is the scheme which was used by them in
this examination. The standardisation process ensures that the mark scheme covers the students’
responses to questions and that every associate understands and applies it in the same correct way.
As preparation for standardisation each associate analyses a number of students’ scripts. Alternative
answers not already covered by the mark scheme are discussed and legislated for. If, after the
standardisation process, associates encounter unusual answers which have not been raised they are
required to refer these to the Lead Examiner.




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It must be stressed that a mark scheme is a working document, in many cases further developed and
expanded on the basis of students’ reactions to a particular paper. Assumptions about future mark




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schemes on the basis of one year’s document should be avoided; whilst the guiding principles of




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assessment remain constant, details will change, depending on the content of a particular examination




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paper.




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No student should be disadvantaged on the basis of their gender identity and/or how they refer to the




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gender identity of others in their exam responses.




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A consistent use of ‘they/them’ as a singular and pronouns beyond ‘she/her’ or ‘he/him’ will be credited in
exam responses in line with existing mark scheme criteria.
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Further copies of this mark scheme are available from aqa.org.uk
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MARK SCHEME – AS ENGLISH LITERATURE B – 7716/1A – JUNE 2024



Level of response marking instructions
Level of response mark schemes are broken down into levels, each of which has a descriptor. The
descriptor for the level shows the average performance for the level. There are marks in each level.

Before you apply the mark scheme to a student’s answer read through the answer and annotate it (as
instructed) to show the qualities that are being looked for. You can then apply the mark scheme.

Step 1 Determine a level




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Start at the lowest level of the mark scheme and use it as a ladder to see whether the answer meets the




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descriptor for that level. The descriptor for the level indicates the different qualities that might be seen in




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the student’s answer for that level. If it meets the lowest level then go to the next one and decide if it




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meets this level, and so on, until you have a match between the level descriptor and the answer. With
practice and familiarity you will find that for better answers you will be able to quickly skip through the




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lower levels of the mark scheme.




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When assigning a level you should look at the overall quality of the answer and not look to pick holes in




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small and specific parts of the answer where the student has not performed quite as well as the rest. If
the answer covers different aspects of different levels of the mark scheme you should use a best fit

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approach for defining the level and then use the variability of the response to help decide the mark within
the level, ie if the response is predominantly level 3 with a small amount of level 4 material it would be
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placed in level 3 but be awarded a mark near the top of the level because of the level 4 content.
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Step 2 Determine a mark
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Once you have assigned a level you need to decide on the mark. The descriptors on how to allocate
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marks can help with this. The exemplar materials used during standardisation will help. There will be an
answer in the standardising materials which will correspond with each level of the mark scheme. This
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answer will have been awarded a mark by the Lead Examiner. You can compare the student’s answer
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with the example to determine if it is the same standard, better or worse than the example. You can then
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use this to allocate a mark for the answer based on the Lead Examiner’s mark on the example.
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You may well need to read back through the answer as you apply the mark scheme to clarify points and
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assure yourself that the level and the mark are appropriate.
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Indicative content in the mark scheme is provided as a guide for examiners. It is not intended to be
exhaustive and you must credit other valid points. Students do not have to cover all of the points
mentioned in the Indicative content to reach the highest level of the mark scheme.
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An answer which contains nothing of relevance to the question must be awarded no marks.
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