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AQA-7716-1B-ENGLISH LITERATURE B FINAL MARK SCHEME PAPER1B-Literary genres: Drama: Aspects of comedy-Jun24

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AQA-7716-1B-ENGLISH LITERATURE B FINAL MARK SCHEME PAPER1B-Literary genres: Drama: Aspects of comedy-Jun24 0 1 The Taming of the Shrew – William Shakespeare Explore the significance of aspects of dramatic comedy in the following passage in relation to the play as a whole. You should consider the following in your answer: • the setting and mood of the banquet • the roles of the women • other relevant aspects of dramatic comedy. [25 marks] Some possible content is given below. It suggests some of the ways the Assessment Objectives might be addressed, but as ‘significance’ relates to contextual, structural, linguistic and interpretative issues some strands listed could easily address more than one AO. Examiners must also remember that because students have read and studied The Taming of the Shrew through the lens of comedy, the AOs must necessarily be connected to that genre through the task. The students are given an extract so when working on that they should quote directly to support their ideas. This is a closed book exam, so while it is expected that students will use quotations when writing about other parts of the play it is also legitimate to make more general reference. Please refer to pages 4–8. AO5 Explore literary texts informed by different interpretations With respect to interpretative significances that can be found, there will be a variety of interpretations here in relation to readers and audiences. Some students might comment on the choices made by directors. Some possible ideas: • the comedic trajectory of the extract: this is Lucentio and Bianca’s wedding banquet and Baptista, Vincentio, Gremio, the merchant who had pretended to be Vincentio, Lucentio, Bianca, Petruchio, and Katherina are all present. The servants Tranio, Grumio, and Biondello are there as well, unifying the cast. Hortensio and the Widow he has quickly married are there too. Lucentio welcomes everyone to the banquet, calls Petruchio and Katherina his brother and sister, and says that all the earlier chaos and confusion is now happily resolved (part of the comedic resolution). At the banquet, matching the wit and dialogue of earlier in the play, the guests at the banquet trade jokes and jibes, with the Widow especially teasing Petruchio for being married to a shrew, offending Katherina. The women then leave • the contextualisation of the extract: before the scene – the confusion at the end of Act 4 has been solved with the real Vincentio set to be arrested, when the real Lucentio enters with his newly-betrothed Bianca, revealing all to a bewildered Baptista and Vincentio. Lucentio explains, and everything is forgiven by the two fathers; Hortensio has in the meantime married a rich widow. In this final scene of the play, there are thus the three newly-married couples; Bianca and Lucentio, the Widow and Hortensio, and Katherina and Petruchio; after the scene – a good-natured quarrel breaks out amongst the three men about whose wife is the most obedient; Petruchio proposes a wager where each one of them will send a servant to call for their wives, and whichever comes most obediently will have won the wager for her husband; Katherina is the only one of the three who comes, ironically winning the wager for Petruchio. She then hauls t

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AQA MARK SCHEME



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ENGLISH LITERATURE B




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Paper 1B Literary genres: Drama: Aspects of comedy




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Mark scheme




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June 2024
Version: 1.0 Final
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MARK SCHEME – AS ENGLISH LITERATURE B – 7716/1B – JUNE 2024



Mark schemes are prepared by the Lead Assessment Writer and considered, together with the relevant
questions, by a panel of subject teachers. This mark scheme includes any amendments made at the
standardisation events which all associates participate in and is the scheme which was used by them in
this examination. The standardisation process ensures that the mark scheme covers the students’
responses to questions and that every associate understands and applies it in the same correct way.
As preparation for standardisation each associate analyses a number of students’ scripts. Alternative
answers not already covered by the mark scheme are discussed and legislated for. If, after the
standardisation process, associates encounter unusual answers which have not been raised they are
required to refer these to the Lead Examiner.




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It must be stressed that a mark scheme is a working document, in many cases further developed and
expanded on the basis of students’ reactions to a particular paper. Assumptions about future mark




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schemes on the basis of one year’s document should be avoided; whilst the guiding principles of




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assessment remain constant, details will change, depending on the content of a particular examination




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paper.




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Further copies of this mark scheme are available from aqa.org.uk




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MARK SCHEME – AS ENGLISH LITERATURE B – 7716/1B – JUNE 2024



Level of response marking instructions
Level of response mark schemes are broken down into levels, each of which has a descriptor. The
descriptor for the level shows the average performance for the level. There are marks in each level.

Before you apply the mark scheme to a student’s answer read through the answer and annotate it (as
instructed) to show the qualities that are being looked for. You can then apply the mark scheme.

Step 1 Determine a level




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Start at the lowest level of the mark scheme and use it as a ladder to see whether the answer meets the




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descriptor for that level. The descriptor for the level indicates the different qualities that might be seen in
the student’s answer for that level. If it meets the lowest level then go to the next one and decide if it




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meets this level, and so on, until you have a match between the level descriptor and the answer. With




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practice and familiarity you will find that for better answers you will be able to quickly skip through the
lower levels of the mark scheme.




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When assigning a level you should look at the overall quality of the answer and not look to pick holes in




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small and specific parts of the answer where the student has not performed quite as well as the rest. If
the answer covers different aspects of different levels of the mark scheme you should use a best fit

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approach for defining the level and then use the variability of the response to help decide the mark within
the level, ie if the response is predominantly level 3 with a small amount of level 4 material it would be
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placed in level 3 but be awarded a mark near the top of the level because of the level 4 content.
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Step 2 Determine a mark
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Once you have assigned a level you need to decide on the mark. The descriptors on how to allocate
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marks can help with this. The exemplar materials used during standardisation will help. There will be an
answer in the standardising materials which will correspond with each level of the mark scheme. This
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answer will have been awarded a mark by the Lead Examiner. You can compare the student’s answer
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with the example to determine if it is the same standard, better or worse than the example. You can then
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use this to allocate a mark for the answer based on the Lead Examiner’s mark on the example.
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You may well need to read back through the answer as you apply the mark scheme to clarify points and
assure yourself that the level and the mark are appropriate.
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Indicative content in the mark scheme is provided as a guide for examiners. It is not intended to be
exhaustive and you must credit other valid points. Students do not have to cover all of the points
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mentioned in the Indicative content to reach the highest level of the mark scheme.
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An answer which contains nothing of relevance to the question must be awarded no marks.
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MARK SCHEME – AS ENGLISH LITERATURE B – 7716/1B – JUNE 2024


Information for Examiners marking Aspects of comedy: closed book

Welcome to this mark scheme which is designed to help you deliver fair and accurate assessment.
Please read all sections carefully and ensure that you follow the requirements that they contain.

The significance of closed book

Examiners must understand that in marking a closed book exam there are examining implications.
Students do not have their texts in front of them, so while it is expected that they will use quotations, it is
also legitimate to use close textual references. They will have had to memorise quotations so there may
be some errors which should not be over penalised. Detailed discussions of particular sections of texts




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are less likely here than in open book exams. Instead, students may range broadly across their texts as




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they construct their arguments.




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There are specific issues for AO2 – how meanings are shaped in texts. Students will not have the texts




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in front of them, so although they will sometimes be able to make specific references to structural and
organisational issues, at other times they will be more general.




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Arriving at Marks

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All questions are framed to address all the Assessment Objectives (AOs). Weightings are given
above the generic mark scheme. Answers are marked holistically but, when deciding upon a mark
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in a band, examiners should bear in mind the relative weightings of the assessment objectives (see
page 8) and be careful not to over/under credit a particular skill. This will be exemplified and
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reinforced as part of examiner training and standardisation. Examiners need to read the whole
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answer taking into account its strengths and weaknesses and then place it in the appropriate band.
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2. Examiners should avoid making early snap judgements before the whole answer has been read.
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Some students begin tentatively but go on to make relevant points.
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3. Examiners should be prepared to use the full mark range and not ‘bunch’ scripts in the middle for
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safety. Top marks are attainable if students could not be expected to do more in the time and
under the conditions in which they are working.
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4. Examiners should mark positively. Although the mark scheme provides some indicators for what
students are likely to write about, examiners should be willing to reward what is actually there –
provided of course, that it is relevant to the question being asked.
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5. Examiners should remember that there is not only one right answer. Students’ views which are
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relevant, well-argued and supported by appropriate textual evidence must receive credit whether
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the examiner agrees with the views or not. It is important to try to remain flexible if a student
introduces unusual or unorthodox ideas.
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6. Examiners should remember that length and quality are not synonymous. Some brief answers
may be relevant and concise. Equally, long answers may be diffuse and repetitive.

7. If answers are short or incomplete, examiners can only reward what is there and assess
accordingly. Some further credit can be given to answers finished in note form.




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