Dance 200 Final Exam 101 Questions and correct Ans @i @i @i @i @i @i @i @i
wers @i
_______________ is type of social dance which involves peoplejoining in, which may change over time a @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
nd is based on the culture in which was it was developed. -
@i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** folk dance
@i @i
List one original purpose of dance -
@i @i @i @i @i @i @i
@i ** Ritual, communication, storytelling, pleasure, recuperation, tribal identification
@i @i @i @i @i @i @i
What are the differences between Dionysian and Apollonian dance? -
@i @i @i @i @i @i @i @i @i @i
@i ** Dionysian -
@i @i
@i may not be choreographed, feels improvisational, crazy, asymmetrical, impulsive; Apollonian -
@i @i @i @i @i @i @i @i @i @i
@i looks choreographed, classical, majestic, serene, symmetrical
@i @i @i @i @i
What type of dance is emotionally unrestrained?(A) Apollonian b) folk dance c) Dionysian d) ritual -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** Find @i
What is the difference between folk and ritual dance? Describe and give an example of each. -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
** ritual -
@i @i @i
viewed by audience, depicts the culture, does not change (much) over time; represents a culture's belief
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
s, surrounds the marking of specific important events (births, deaths, weddings
@i @i @i @i @i @i @i @i @i @i
The three elements that choreographers manipulate to create a piece of dance or that are present in all g
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
enres of dance are - @i @i @i @i @i
@i ** space, energy, time
@i @i @i
If the macro elements of the dance must be known in order to understand the dance, then the dance is sai
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
d to be "high context. -
@i @i @i @i @i @i
@i ** True @i
What are the journalistic questions that identify the macro elements of a dance? -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** Who, What, When, How, Where
@i @i @i @i @i
, What was the purpose of the change of attire from long skirts in Ballet de Court to the shorter skirts in Ro
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
mantic Era Ballet - @i @i @i @i
** Due to change in staging, the audience no longer was focused on floor patterns as in ballet de court, bu
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
t rather on the footwork of the dancer
@i @i @i @i @i @i @i
Describe the difference between a "danse noble" and "danse caractere" of 18th Century Ballet -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
** Danse noble is highest form, featuring roles of heros and the greatest gods; dansecaractere is a lower f
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
orm, featuring roles of the everyday man and lesser gods.
@i @i @i @i @i @i @i @i @i
In Ballet de Court, the story and characters are often based on Greek and Roman mythology -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** True @i
In whose court did Ballet de Court originate -
@i @i @i @i @i @i @i @i @i
@i ** Louis the 14th
@i @i @i
Pick one element of Romantic Era Ballet and explain how it's shown in La Sylphide. -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
** There are two acts, first in real world, second in nature/
@i @i @i @i @i @i @i @i @i @i @i @i
supernatural; the woman as supernatural; romantic tutu; emphasis on the ballerina as lead; pantomime @i @i @i @i @i @i @i @i @i @i @i @i @i @i
to tell story; wires/tricks/trapdoors/gas lighting; music written for the ballet and others; see notes)
@i @i @i @i @i @i @i @i @i @i @i @i @i
What is NOT one of the major characteristics of Romantic Era Ballet?
@i @i @i @i @i @i @i @i @i @i @i
Multiple choice. a) Emotion over reason b) emphasis on the supernatural c) focus on the common man d)
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
unhappy ending e) order and structure - @i @i @i @i @i @i @i
@i ** b: emphasis on the supernatural
@i @i @i @i @i
Romantic Era Ballet reflected the larger cultural movement of Romanticism by including which of the foll
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
owing elements: (select all that apply) a) nationalism b) aristocratic power c) the occult d) strong female c
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
haracters e) exoticism f) emotion and intuition g) pure/unrequited love h) tragedy i) country life j) poetry -
@i
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** a, c, e, f, g
@i @i @i @i @i
What are two characteristics of Classical Era Ballet? Short answer -
@i @i @i @i @i @i @i @i @i @i @i
** Precision, order, symmetry, lengthening of ballet into four acts, happy endings, shortened tutu, exten
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
sive pointework, partneringdivertissement, corps de ballet, representing the czar/
@i @i @i @i @i @i @i @i
social order, aristocratic appearance
@i @i @i
wers @i
_______________ is type of social dance which involves peoplejoining in, which may change over time a @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
nd is based on the culture in which was it was developed. -
@i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** folk dance
@i @i
List one original purpose of dance -
@i @i @i @i @i @i @i
@i ** Ritual, communication, storytelling, pleasure, recuperation, tribal identification
@i @i @i @i @i @i @i
What are the differences between Dionysian and Apollonian dance? -
@i @i @i @i @i @i @i @i @i @i
@i ** Dionysian -
@i @i
@i may not be choreographed, feels improvisational, crazy, asymmetrical, impulsive; Apollonian -
@i @i @i @i @i @i @i @i @i @i
@i looks choreographed, classical, majestic, serene, symmetrical
@i @i @i @i @i
What type of dance is emotionally unrestrained?(A) Apollonian b) folk dance c) Dionysian d) ritual -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** Find @i
What is the difference between folk and ritual dance? Describe and give an example of each. -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
** ritual -
@i @i @i
viewed by audience, depicts the culture, does not change (much) over time; represents a culture's belief
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
s, surrounds the marking of specific important events (births, deaths, weddings
@i @i @i @i @i @i @i @i @i @i
The three elements that choreographers manipulate to create a piece of dance or that are present in all g
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
enres of dance are - @i @i @i @i @i
@i ** space, energy, time
@i @i @i
If the macro elements of the dance must be known in order to understand the dance, then the dance is sai
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
d to be "high context. -
@i @i @i @i @i @i
@i ** True @i
What are the journalistic questions that identify the macro elements of a dance? -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** Who, What, When, How, Where
@i @i @i @i @i
, What was the purpose of the change of attire from long skirts in Ballet de Court to the shorter skirts in Ro
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
mantic Era Ballet - @i @i @i @i
** Due to change in staging, the audience no longer was focused on floor patterns as in ballet de court, bu
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
t rather on the footwork of the dancer
@i @i @i @i @i @i @i
Describe the difference between a "danse noble" and "danse caractere" of 18th Century Ballet -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
** Danse noble is highest form, featuring roles of heros and the greatest gods; dansecaractere is a lower f
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
orm, featuring roles of the everyday man and lesser gods.
@i @i @i @i @i @i @i @i @i
In Ballet de Court, the story and characters are often based on Greek and Roman mythology -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** True @i
In whose court did Ballet de Court originate -
@i @i @i @i @i @i @i @i @i
@i ** Louis the 14th
@i @i @i
Pick one element of Romantic Era Ballet and explain how it's shown in La Sylphide. -
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
** There are two acts, first in real world, second in nature/
@i @i @i @i @i @i @i @i @i @i @i @i
supernatural; the woman as supernatural; romantic tutu; emphasis on the ballerina as lead; pantomime @i @i @i @i @i @i @i @i @i @i @i @i @i @i
to tell story; wires/tricks/trapdoors/gas lighting; music written for the ballet and others; see notes)
@i @i @i @i @i @i @i @i @i @i @i @i @i
What is NOT one of the major characteristics of Romantic Era Ballet?
@i @i @i @i @i @i @i @i @i @i @i
Multiple choice. a) Emotion over reason b) emphasis on the supernatural c) focus on the common man d)
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
unhappy ending e) order and structure - @i @i @i @i @i @i @i
@i ** b: emphasis on the supernatural
@i @i @i @i @i
Romantic Era Ballet reflected the larger cultural movement of Romanticism by including which of the foll
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
owing elements: (select all that apply) a) nationalism b) aristocratic power c) the occult d) strong female c
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
haracters e) exoticism f) emotion and intuition g) pure/unrequited love h) tragedy i) country life j) poetry -
@i
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
@i ** a, c, e, f, g
@i @i @i @i @i
What are two characteristics of Classical Era Ballet? Short answer -
@i @i @i @i @i @i @i @i @i @i @i
** Precision, order, symmetry, lengthening of ballet into four acts, happy endings, shortened tutu, exten
@i @i @i @i @i @i @i @i @i @i @i @i @i @i @i
sive pointework, partneringdivertissement, corps de ballet, representing the czar/
@i @i @i @i @i @i @i @i
social order, aristocratic appearance
@i @i @i
