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Black Panther
Author’s Name
Department/University
Course number
Course name
Instructor’s Name
, 2
Black Panther
The cultural and artistic influence of Ryan Coogler's 2018 film Black Panther has
received widespread praise. Its blend of complex social commentary, rich cultural representation,
and gripping storytelling has won accolades from critics. In my opinion, Peter Travers (Rolling
Stone), Geoffrey Macnab (The Independent), and Leah Greenblatt (Entertainment Weekly) were
the three critics who were able to provide meaningful insights about the movie Black Panther.
The purpose of this paper is to assess and summarize the opinions of the three scholars or critics
mentioned above.
Peter Travers (Rolling Stone)
According to Peter Travers, Black Panther is a revolutionary development in the
superhero genre. He highlights how groundbreaking it is, fusing amusement with potent cultural
criticism. Travers emphasizes how well Ryan Coogler created a movie that confronts structural
injustices while celebrating Black identity. For Travers, the movie's examination of Wakanda as
an independent, technologically sophisticated African country offers a welcome diversion from
Hollywood's frequently unfavorable portrayals of the continent. Erik Killmonger, played by
Michael B. Jordan, is hailed by him as one of the most interesting Marvel villains because his
reasons are rooted in real-life frustrations. Black Panther, according to Travers, is "as ambitious
as it is inspiring," offering both thrilling action and poignant narrative (Travers, 2018).
Geoffrey Macnab (The Independent)
Black Panther is more than just a superhero film, according to Geoffrey Macnab, who
sees it as a politically charged story with strong Black empowerment and Pan-African elements.
Macnab highlights the sharp contrast between Oakland, California's struggles, where systematic
inequity is apparent, and Wakanda's riches. He praises the movie for using its characters and
Black Panther
Author’s Name
Department/University
Course number
Course name
Instructor’s Name
, 2
Black Panther
The cultural and artistic influence of Ryan Coogler's 2018 film Black Panther has
received widespread praise. Its blend of complex social commentary, rich cultural representation,
and gripping storytelling has won accolades from critics. In my opinion, Peter Travers (Rolling
Stone), Geoffrey Macnab (The Independent), and Leah Greenblatt (Entertainment Weekly) were
the three critics who were able to provide meaningful insights about the movie Black Panther.
The purpose of this paper is to assess and summarize the opinions of the three scholars or critics
mentioned above.
Peter Travers (Rolling Stone)
According to Peter Travers, Black Panther is a revolutionary development in the
superhero genre. He highlights how groundbreaking it is, fusing amusement with potent cultural
criticism. Travers emphasizes how well Ryan Coogler created a movie that confronts structural
injustices while celebrating Black identity. For Travers, the movie's examination of Wakanda as
an independent, technologically sophisticated African country offers a welcome diversion from
Hollywood's frequently unfavorable portrayals of the continent. Erik Killmonger, played by
Michael B. Jordan, is hailed by him as one of the most interesting Marvel villains because his
reasons are rooted in real-life frustrations. Black Panther, according to Travers, is "as ambitious
as it is inspiring," offering both thrilling action and poignant narrative (Travers, 2018).
Geoffrey Macnab (The Independent)
Black Panther is more than just a superhero film, according to Geoffrey Macnab, who
sees it as a politically charged story with strong Black empowerment and Pan-African elements.
Macnab highlights the sharp contrast between Oakland, California's struggles, where systematic
inequity is apparent, and Wakanda's riches. He praises the movie for using its characters and
