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TFM Exam 2025/2026 – 65 Questions and Answers | Film Studies | Narrative, Mise-en-Scène, Cinematography

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This document provides 65 fully answered questions for the TFM (Television, Film, and Media) Exam #2 from the 2025/2026 academic year. It is an in-depth and exam-ready study guide designed for students pursuing university-level studies in film, media, and communication disciplines. The content is ideal for courses such as Film Studies, Media Production, Screenwriting, Directing, Theatre Arts, and Visual Storytelling. The material covers a comprehensive range of topics critical to both theoretical understanding and practical application in cinema studies. Key areas include narrative structures (plot vs. story, restricted narration, character archetypes), mise-en-scène (design, composition, lighting, props), and cinematography techniques (camera angles, framing, movement, and composition). It also explains foundational concepts such as diegesis, screen vs. plot duration, three-point lighting, CGI, motion capture, and method acting. Each answer is crafted to clearly define and contextualize major film concepts, making this an essential resource for exam preparation, lecture reinforcement, or independent study. Whether you’re preparing for in-class assessments or final exams, this document is structured to provide clarity, accuracy, and academic value. Relevant for: – Students in Film Studies or Media & Communication – Screenwriting, Directing, and Cinematography courses – Theatre and Performing Arts majors – Visual Arts or Multimedia students – Anyone enrolled in TFM modules or equivalent university programs Keywords: TFM exam, film studies, narrative structure, cinematography, mise-en-scène, diegesis, character development, restricted narration, voice-over, camera angles, lighting techniques, composition, props in film, editing techniques, CGI, method acting, screen time, plot duration, production design

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TFM Exam #2 2025/2026 Exam
Questions and Answers | A+ Score
Assured



omniscient - 🧠 ANSWER ✔✔all knowing unrestricted aspects to all aspects


story - 🧠 ANSWER ✔✔1- narrative events presented explicitly on screen


2-implicit/inferred events

Story incorporates what's implied


diegesis of a story - 🧠 ANSWER ✔✔total world of story aka events

characters objects settings and sounds


nondiegetic elements in the plot - 🧠 ANSWER ✔✔things we see and hear

on screen that come from the outside world aka score music, titles, credits,

voice over.-sounds characters can't hear

, Summary relationship - 🧠 ANSWER ✔✔screen duration is shorter than plot

duration

Real time: screen duration corresponds directly to plot duration

Stretch relationship: screen duration is longer than plot duration


Voice-over Narration - 🧠 ANSWER ✔✔When we hear a characters voice

over the picture without actually seeing the character speak words.


Direct Address Narration - 🧠 ANSWER ✔✔Directly to the audience/ breaks

the fourth wall separating the viewer from the two-D fiction on screen.


Restricted Narration - 🧠 ANSWER ✔✔limits information it provides the

audience to things only known to a single character.


Plot - 🧠 ANSWER ✔✔specific actions/events + the order to effectively

convey narrative


Round Characters - 🧠 ANSWER ✔✔complex character, possess numerous

subtle/repressed or contradictory traits that change over the story


Flat Characters - 🧠 ANSWER ✔✔uncomplicated with few distinct traits and

don't change significantly throughout the story

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