English Literature

Cardiff University (CF)

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Notes on the key areas of translating a narrative to film. Notes on the key areas of translating a narrative to film.
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    Notes on the key areas of translating a narrative to film.

  • Focusses on the following key areas for consideration: - The literary narrator role - The implied author - The cinematic narrator The challenges of translating narratives to cinema and the limitations of film as a medium.
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Notes on Edgar Allan Poe's, The Murders in the Rue Morgue Notes on Edgar Allan Poe's, The Murders in the Rue Morgue
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    Notes on Edgar Allan Poe's, The Murders in the Rue Morgue

  • Notes on Edgar Allan Poe's novel The Murders in the Rue Morgue. Explores the character Dupin and how he is superior in his methods compared to the hapless police. Details how Dupin enjoys the game of solving mysteries.
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Notes on the novel, The Professor and how Bronte engages with colonialism Notes on the novel, The Professor and how Bronte engages with colonialism
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    Notes on the novel, The Professor and how Bronte engages with colonialism

  • Notes on the Professor and how Bronte engages with colonialism. Looks at how the novel explores the intersection between nation, sexuality and race.
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Notes on the contrapuntal reading of  Bronte's Shirley Notes on the contrapuntal reading of  Bronte's Shirley
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    Notes on the contrapuntal reading of Bronte's Shirley

  • Notes detailing how the novel Shirley can be read contrapuntally especially in relation to the Irish Famine of the 1840s. Focusses on the core themes of migration, food and poverty in the novel.
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Carl Plasa - Notes on Charlotte Bronte's Shirley Carl Plasa - Notes on Charlotte Bronte's Shirley
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    Carl Plasa - Notes on Charlotte Bronte's Shirley

  • Notes detailing the themes and format of Charlotte Bronte's Shirley. Includes contextual analysis of the time in terms of Anglo-Irish animosities, class and corporeality, figures of female resistance, migration and resistance.
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Summary of Angela Carter's Nights at the Circus. Summary of Angela Carter's Nights at the Circus.
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    Summary of Angela Carter's Nights at the Circus.

  • Summary of Nights at the Circus: - Approach of Angela Carter's writing style - Character summaries - How the novel is written from a Feminist perspective
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Austerlitz novel notes Austerlitz novel notes
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    Austerlitz novel notes

  • Notes covering: - Life and career of Sebald - Sebald and War - Sebald and genre - Place of WWII and the Holocaust in Austerlitz - Nazism
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Atonement Lecture Notes - Core Themes Atonement Lecture Notes - Core Themes
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    Atonement Lecture Notes - Core Themes

  • Core themes of Atonement: - Life and Family of the author - Setting of the novel - Character analysis - Narrative technique
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A close critical analysis of Elizabeth Barrett Browning's Sonnett 43 A close critical analysis of Elizabeth Barrett Browning's Sonnett 43
  • Essay

    A close critical analysis of Elizabeth Barrett Browning's Sonnett 43

  • Elizabeth Barrett Browning’s Sonnet 43 is principally a poem about the intense love and compassion a woman feels for her husband. The poem is taken from a collection of sonnets, entitled Sonnets from the Portuguese, which trace the interlude between 1945, when Elizabeth met her partner Robert Browning, to 1846, when they were married. Browning lived and wrote during the Victorian era, a time of major societal and economical change. This is reflected in her work, which draws on religious, polit...
  • SophieStudent
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Late Victorian Gothic fictions ‘encode an anxiety about “otherness”, about the possibility of a dual self, where the externally moral individual masks a primitive “other” within that threatens to engulf the civilised’ (Linda Dryden). Discuss. Late Victorian Gothic fictions ‘encode an anxiety about “otherness”, about the possibility of a dual self, where the externally moral individual masks a primitive “other” within that threatens to engulf the civilised’ (Linda Dryden). Discuss.
  • Essay

    Late Victorian Gothic fictions ‘encode an anxiety about “otherness”, about the possibility of a dual self, where the externally moral individual masks a primitive “other” within that threatens to engulf the civilised’ (Linda Dryden). Discuss.

  • Gothic fiction of the 1880s and 1890s dramatises the late Victorian fear of “otherness”. In fin-de-siècle Britain, the concept of racial and cultural degeneration spawned fears of a primitive “other”. This fear is encoded in The Strange Case of Dr Jekyll and Mr Hyde (1886) and The Picture of Dorian Gray (1891). In both texts a primitive “other” threateningly lurks within externally moral men. Indeed, both Stevenson and Wilde suggest that the threat of “otherness” comes from with...
  • SophieStudent
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